{"title":"Sold — Past Pieces","description":"\u003cp\u003ePieces that have found their homes. Kept here as a record of what has passed through our hands.\u003c\/p\u003e","products":[{"product_id":"kimura-yoshiro-set-of-five-heki-yu-kimura-blue-plates-with-tomobako-sold","title":"Kimura Yoshiro — Set of Five Heki-yu 'Kimura Blue' Plates, with Tomobako (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA set of five stoneware plates (\u003cem\u003eshichisun-zara\u003c\/em\u003e) by Kimura Yoshiro (b. 1946) — one of Japan's most distinguished living ceramic artists, and the originator of the glaze known as \u003cem\u003eKimura Blue\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eEach plate, about 22 cm across, wears his signature \u003cem\u003eheki-yu\u003c\/em\u003e glaze: a breathing gradation from deep cobalt through luminous sky-blue, like sea and sky held in one surface. No two are alike — the glaze pools and settles differently on each during firing. Each is signed on the base, and the set came in its original wooden box (\u003cem\u003etomobako\u003c\/em\u003e) with a turmeric-dyed cloth bearing the artist's seal.\u003c\/p\u003e\n\u003cp\u003eKimura's work is held by the British Museum, the Victoria \u0026amp; Albert Museum, the Sèvres ceramics museum in France, and Japan's National Crafts Museum.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Kimura Yoshiro","offers":[{"title":"Default Title","offer_id":49037022789867,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg.jpg?v=1783695506"},{"product_id":"koinuma-michio-brilliant-turquoise-relief-lattice-stoneware-vase-with-signed-tomobako-sold","title":"Koinuma Michio — Brilliant Turquoise Relief-Lattice Stoneware Vase — with signed tomobako (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eKoinuma Michio(1936-)\u003cbr\u003eA striking studio stoneware vase by the singular Japanese ceramic artist Koinuma Michio, accompanied by its original signed wooden box (tomobako) with the artist's authentication.\u003cbr\u003eThis tall, columnar vessel is enveloped in a luminous turquoise-blue glaze of remarkable depth and intensity. The entire surface is worked in a dense, hand-modeled relief pattern of interlocking diamond-shaped cells, recalling ancient netting or a beaded mesh, that catches the light and shifts in tone from deep teal to bright peacock blue across the form. Toward the foot, the glaze breaks to reveal the warm, sandy stoneware body and traces of iron, lending the piece a sense of age and earthy contrast that is characteristic of Koinuma's work. The unglazed foot is incised with the artist's seal.\u003cbr\u003eKoinuma is celebrated for vessels that feel unearthed from antiquity yet read as utterly modern in their architectural presence. This vase distills that vision: a powerful, sculptural object as much at home in a contemporary interior as in a collection of fine Japanese studio ceramics. Offered with its tomobako, it is a confident and collectible example of the artist's hand.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 42 cm\u003cbr\u003eWidth: 10.5 cm\u003cbr\u003eDepth: 10 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eIn very good condition with no notable damage, chips, or repairs; the seller guarantees authenticity. Light surface variation and exposed clay at the foot are intrinsic to the maker's technique rather than flaws.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eKoinuma Michio (1936-) was born in Ome, Tokyo. Drawn to ancient earthenware after taking part in an archaeological excavation as a schoolboy, he abandoned his university studies in economics and political science to become largely self-taught as a potter. In 1970 he built his own kiln in Mashiko, Tochigi, and established himself independently, going on to receive an award at the North Kanto Art Exhibition in 1974 and to hold solo exhibitions in Tokyo. High-fired and often described as hard and almost metallic, his vessels—frequently decorated with arabesque motifs or salt glaze—evoke excavated relics while projecting a strikingly modern, sculptural form. He is regarded by collectors as a maverick and a quietly revered figure in contemporary Japanese ceramics.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003cbr\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Koinuma Michio","offers":[{"title":"Default Title","offer_id":49037023019243,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_418551a2-fc8e-4531-aa26-1f3a6be5e73f.jpg?v=1783695531"},{"product_id":"mihara-ken-cedar-grain-yakishime-flower-vessel-sold","title":"Mihara Ken — Cedar-Grain Yakishime Flower Vessel (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA flower vessel in unglazed \u003cem\u003eyakishime\u003c\/em\u003e stoneware by Mihara Ken (b. 1958), whose colour comes not from glaze but from fire alone — clay bodies layered and fired many times over until the surface reads like cedar grain, stone, or weathered earth.\u003c\/p\u003e\n\u003cp\u003eMihara works in Shimane, and is among the most internationally collected Japanese ceramic artists of his generation: the Metropolitan Museum of Art holds two of his works, and the Victoria \u0026amp; Albert Museum, LACMA and some forty museums worldwide hold more. His pieces have reached five figures at international auction.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Mihara Ken","offers":[{"title":"Default Title","offer_id":49037023707371,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_9a532b1f-2771-4e51-8054-9d8daa459ce8.jpg?v=1783695573"},{"product_id":"tamaoki-yasuo-red-shino-divided-glaze-vessel-by-gifu-prefecture-living-treasure-tamaoki-yasuo-sold","title":"Tamaoki Yasuo — Red Shino Divided-Glaze Vessel by Gifu Prefecture Living Treasure Tamaoki Yasuo (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eTamaoki Yasuo(1941-)\u003cbr\u003eThis exceptional stoneware vessel is a masterwork of Aka-Shino (Red Shino) glaze in the distinctive kakewake (divided-glaze) style, created by Tamaoki Yasuo, a designated Important Intangible Cultural Property of Gifu Prefecture. The piece takes the form of a compressed, multi-lobed gourd-shaped jar — a bold sculptural interpretation far removed from conventional vase forms — with a small circular mouth opening at the top.\u003cbr\u003eThe surface is a breathtaking interplay of rich, mahogany-red feldspathic glaze and deeply textured unglazed iron-rich clay body in dark chocolate brown. The kakewake technique — meaning \"divided application\" — creates dramatic sweeping boundaries between the creamy-red Shino areas and the rough, crawled bare clay, producing a landscape-like abstract composition that shifts dramatically with each angle of view. Characteristic Shino pinholes and crawled glaze texture animate the surface with depth and tactile richness.\u003cbr\u003eThe base reveals a deeply atmospheric Aka-Shino glaze patch with rich orange-red firing effects and the artist's impressed seal. The accompanying signed wooden box (tomobako) is inscribed \"Aka-Shino Kakewake-tsubo\" confirming the title and technique.\u003cbr\u003eA rare and powerful work from one of the foremost Shino and Oribe masters working today.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 14.5 cm\u003cbr\u003eWidth: 24 cm\u003cbr\u003eDepth: 24 cm\u003c\/p\u003e\n\u003cp\u003eWeight\u003cbr\u003e3,820 g \/ 3.82 kg\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe piece is in good used condition with minor age-related marks and surface scuffs consistent with a second-hand item; no cracks or chips are present.\u003c\/p\u003e\n\u003cp\u003eArtist Profile Tamaoki Yasuo(1941-)was born in Tajimi, Gifu Prefecture, into a family with a long tradition of kiln work. Initially aspiring to become a graphic designer, he encountered Momoyama-period Mino Oribe ceramics at an exhibition in Tokyo and was so profoundly moved that he changed course entirely. He studied at the Gifu Prefectural Ceramic Research Institute under the fifth-generation Kato Kobei and Kato Kozo. He went on to receive the Japan Ceramics Society Award (1980), the Tokai Traditional Craft Grand Prix (1984), and numerous other prestigious honors. Designated a Tajimi City Intangible Cultural Property in 2002 and a Gifu Prefectural Important Intangible Cultural Property in 2008, Tamaoki is celebrated for his innovative approach to Aka-Shino (Red Shino), Shino, Oribe, and Kiseto wares, combining deep respect for Momoyama-era tradition with bold, graphic contemporary design sensibility.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Tamaoki Yasuo","offers":[{"title":"Default Title","offer_id":49037023772907,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_cdfce564-9705-49ec-a6d3-fb195d2bd376.jpg?v=1783695599"},{"product_id":"ishibashi-yushi-carved-and-coloured-celadon-vase-saikoku-seiji-sold","title":"Ishibashi Yushi — Carved and Coloured Celadon Vase — Saikoku Seiji (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eIshibashi Yushi(1957-) — Saikoku Seiji Tsubo — Carved and Coloured Celadon Vase with Original Tomobako Box\u003c\/p\u003e\n\u003cp\u003eA work of exceptional refinement by Ishibashi Yushi, a full member and director of the Japan Kōgei Association , a Kyoto Prefecture Intangible Cultural Property holder, and one of the most decorated figures in contemporary Japanese celadon ceramics.\u003c\/p\u003e\n\u003cp\u003eHe is celebrated for his signature saikoku seiji technique — a distinctive method combining the classical beauty of celadon glazing with incised surface decoration and polychrome coloured enamel accents.\u003c\/p\u003e\n\u003cp\u003eThe vase presents a generous, well-balanced ovoid body with a gently narrowed neck and a quietly refined form that invites the eye to linger on its surface.\u003c\/p\u003e\n\u003cp\u003eThe vessel is enveloped in a luminous celadon glaze — the cool, jade-like green that has been one of the most revered glazes in East Asian ceramic history — rendered in Ishibashi's characteristic rich and layered manner.\u003c\/p\u003e\n\u003cp\u003eInto this glazed surface, the artist has incised (koku — ) intricate linear or organic patterns, which are then heightened with colour (sai — ), creating a subtle interplay of texture, depth, and hue across the vessel's body.\u003c\/p\u003e\n\u003cp\u003eThe result is a surface of remarkable visual complexity: the carved lines catch the light differently from varied angles, while the restrained colour accents bring warmth and life to the cool celadon ground without disturbing its essential serenity.\u003c\/p\u003e\n\u003cp\u003eThe vase is presented in its original signed wooden presentation box (tomobako), forming a complete collector's set.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 20.5 cm\u003cbr\u003eWidth: 18 cm\u003cbr\u003eDepth: 18 cm\u003cbr\u003eWeight: 1,750 g\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe vase is in excellent overall condition with no chips, cracks, or damage observed; minor surface marks consistent with careful long-term storage may be present.\u003c\/p\u003e\n\u003cp\u003eArtist Profile Ishibashi Yushi(1957-)\u003cbr\u003eBorn in Tokyo in 1957, Ishibashi Yushi graduated from the ceramics programme of the Tekisui Museum of Art Research Institute in 1981, then established his kiln in Kyoto Prefecture in 1984, where he has worked ever since. He is a full member and director of the Japan Kōgei Association , and was designated a Kyoto Prefecture Intangible Cultural Property holder in 2015.\u003cbr\u003eHe is regarded as the foremost living practitioner of the saikoku ( — carved and coloured) technique in Japanese ceramics — an approach in which deeply incised surface patterns are combined with polychrome enamel colouring to create works of layered visual depth. His preferred ground is celadon (seiji), though he also works in rurihi (lapis-blue) and shiji (purple) glazed bodies.\u003cbr\u003eHis work has been recognised with numerous prestigious awards, including the Minister of Education, Culture, Sports, Science and Technology Award (, 2010), the Japan Kōgei Association Award (, 2006), and the Japan Kōgei Association Encouragement Award (, 2001 and 2014), among many others. His works have entered the collections of the Imperial Household Agency (, 2011 and 2020), the Agency for Cultural Affairs (, 2001 and 2010), and major public museums.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Ishibashi Yushi","offers":[{"title":"Default Title","offer_id":49037023838443,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_8d878c62-ef3c-4674-86df-df010d11079e.jpg?v=1783695635"},{"product_id":"maeda-shoun-ancient-bronze-sage-figure-sencha-tea-ceremony-ornament-sold","title":"Maeda Shōun — Ancient Bronze Sage Figure — Sencha Tea Ceremony Ornament (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eMaeda Shōun(1879–1924)\u003c\/p\u003e\n\u003cp\u003eThis remarkable large-scale bronze sculpture (okimono) was created by Maeda Shōun, one of the foremost sculptor-metalworkers of the Meiji and Taisho periods.\u003c\/p\u003e\n\u003cp\u003eThe work depicts a wise sage (kenja) — a recurring and deeply revered subject in the tradition of sencha (steeped tea) culture, where such figures served as embodiments of learning, virtue, and refined taste.\u003c\/p\u003e\n\u003cp\u003eCast in patinated bronze with exceptional attention to detail, the figure displays the flowing robes, serene countenance, and dignified bearing characteristic of the Confucian scholar-sage ideal.\u003c\/p\u003e\n\u003cp\u003eThe surface has developed a rich, deep patina through natural ageing, adding to the sculptural depth and gravitas of the piece.\u003c\/p\u003e\n\u003cp\u003eThe base integrates seamlessly with the figure, enhancing the overall sense of weight and presence.\u003c\/p\u003e\n\u003cp\u003eObjects of this type — known as sencha dōgu — were prized ornamental accessories in the sencha tea ceremony, a literati practice inspired by scholarly and philosophical ideals.\u003c\/p\u003e\n\u003cp\u003eA bronze sage okimono of this size and quality would have served as a focal point in the tokonoma alcove during a refined tea gathering.\u003c\/p\u003e\n\u003cp\u003eThis is a substantial work, weighing approximately 5.45 kg, and is a fine example of Maeda Shōun's mastery of figurative bronze sculpture.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 37 cm\u003cbr\u003eWidth: 16.5 cm\u003cbr\u003eDepth: 30 cm\u003cbr\u003eWeight: 5,450 g \/ 5.45 kg\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe bronze shows natural age-related patina and minor surface wear consistent with a vintage antique piece; overall structural condition is sound with no significant losses or damage.\u003c\/p\u003e\n\u003cp\u003eArtist Profile Maeda Shōun (1879–1924) was a distinguished sculptor and bronze artist active during the Meiji and Taisho periods. Born in Meiji 12 (1879), he first studied wood carving under his father, a Buddhist sculptor, before becoming an apprentice to the celebrated master carver Takamura Kōun (1852–1934), a leading figure in the revival of traditional Japanese sculptural arts. Shōun went on to master both wood and bronze casting, producing figurative works of exceptional quality, including okimono depicting sages, deities, and figures from folklore. His works are held in private collections and have appeared at prestigious international auction houses. He died in 1924 at the age of 44, leaving behind a distinguished body of work that remains highly regarded among collectors of Meiji-period metalwork and sculpture.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maeda Shōun","offers":[{"title":"Default Title","offer_id":49037024854251,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_f5cd2e57-aaea-4066-8f54-112e3dd7cf44.jpg?v=1783695642"},{"product_id":"ayako-hirogaki-ribbon-a-mystical-glass-rod-sculpture-blurring-the-boundary-of-space-sold","title":"Ayako Hirogaki — \"Ribbon\" — A Mystical Glass Rod Sculpture Blurring the Boundary of Space (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eAyako Hirogaki (1984-)\u003c\/p\u003e\n\u003cp\u003e\"Ribbon\" — Glass Rod \/ Mixed Media Object Year of Creation: 2019\u003c\/p\u003e\n\u003cp\u003eThis mesmerizing glass art object \"Ribbon\" was created in 2019 by Ayako Hirogaki, one of Japan's most celebrated contemporary glass artists.\u003c\/p\u003e\n\u003cp\u003eThe work is characterized by its distinctive use of densely clustered slender glass rods, which blur the boundary between object and surrounding space, creating an almost otherworldly visual experience.\u003c\/p\u003e\n\u003cp\u003eThe clustering of fine glass rods forms a rhythmic, ribbon-like structure that seems to flow and undulate, inviting the viewer to explore it from multiple angles.\u003c\/p\u003e\n\u003cp\u003eEach viewpoint reveals a new interplay of light, shadow, and transparency — a hallmark of Hirogaki's artistic vision.\u003c\/p\u003e\n\u003cp\u003eThe piece comes in its original box (paper case, with some age-related wear).\u003c\/p\u003e\n\u003cp\u003eThis work represents a rare opportunity to acquire a piece by an internationally acclaimed Japanese glass artist who continues to push the boundaries of contemporary glass art.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 25 cm\u003cbr\u003eWidth: 14 cm\u003cbr\u003eDepth: 13.8 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe piece is in good overall condition with minor age-related surface wear; no significant damage or prominent scratches are noted.\u003c\/p\u003e\n\u003cp\u003eArtist Profile Ayako Hirogaki (1984-) was born in Nara Prefecture, Japan. She studied at the Tanimachi Glass Hono Studio in Osaka (2003–2009), followed by the Tokyo Glass Art Institute (2010) and the Toyama City Institute of Glass Art (2012). She served as a blowing glass assistant and part-time lecturer at the Tokyo Glass Art Institute between 2013 and 2019.\u003cbr\u003eHirogaki's work is distinctive for its use of densely arranged thin glass rods that dissolve the boundary between object and space. Her sculptures evoke both organic forms and scientific imagery, creating an immersive tension between material and void.\u003cbr\u003eShe has received numerous prestigious awards, including the Grand Prize at the International Exhibition of Glass Kanazawa 2016 and the Excellence Award at the 7th Contemporary Glass Exhibition in Sanyoonoda (2018). Her work was selected for the cover of the 2024 publication Postwar Japanese Contemporary Glass History. She continues to exhibit internationally and is regarded as one of the most innovative voices in contemporary Japanese glass art.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Ayako Hirogaki","offers":[{"title":"Default Title","offer_id":49037025116395,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_969f1d3d-a99f-437c-90d3-837a70eb3484.jpg?v=1783695654"},{"product_id":"hamada-shoji-kakiyu-nukie-vase-sold","title":"Hamada Shoji — Kakiyu Nukie Vase (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA vase in the warm persimmon \u003cem\u003ekaki-yu\u003c\/em\u003e glaze with bold wax-resist (\u003cem\u003enuki-e\u003c\/em\u003e) brushwork by Hamada Shoji (1894–1978) — central figure of the \u003cem\u003eMingei\u003c\/em\u003e (folk-craft) movement and, in 1955, the \u003cstrong\u003efirst person from the crafts field\u003c\/strong\u003e to be designated a Living National Treasure.\u003c\/p\u003e\n\u003cp\u003eHamada made the town of Mashiko known around the world, working with local clays and glazes and famously refusing to sign his pots — believing the work should stand on its own beauty, not a name. In 1920 he travelled to England with Bernard Leach and together they founded the Leach Pottery at St Ives, a founding moment of Western studio pottery.\u003c\/p\u003e\n\u003cp\u003eHis work is held by the Victoria \u0026amp; Albert Museum, the Museum of Oriental Ceramics in Osaka, the Saint Louis Art Museum, and his own Mashiko Sankokan.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Hamada Shoji","offers":[{"title":"Default Title","offer_id":49037025181931,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_21ae50c7-c9a6-4103-a5bd-8cfb97ba9164.jpg?v=1783695661"},{"product_id":"linear-pattern-flower-vase-senmon-kaki-sold","title":"Linear-Pattern Flower Vase (Senmon Kaki) (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an elegant lined-pattern flower vase (senmon kaki) crafted in traditional lacquerware by Fumio , a lacquer artist working in the Nambu lacquer tradition.\u003c\/p\u003e\n\u003cp\u003eThe piece exemplifies the refined aesthetic of traditional lacquer craft from northern Japan, featuring delicate linear decoration that demonstrates the artist's technical skill and artistic sensibility.\u003c\/p\u003e\n\u003cp\u003eThe Nambu region, historically corresponding to parts of present-day Iwate and Aomori prefectures, has a distinguished tradition of lacquerware production deeply connected to the region's abundant natural lacquer resources.\u003c\/p\u003e\n\u003cp\u003eThis vessel showcases the characteristic elegance of Nambu lacquer work, with its carefully executed linear patterns creating a sophisticated surface decoration.\u003c\/p\u003e\n\u003cp\u003eThe piece's form and decoration reflect the traditional Japanese aesthetic of restrained beauty (shibumi), where the quality of craftsmanship and subtle surface treatment create visual interest without overwhelming ornamentation.\u003c\/p\u003e\n\u003cp\u003eThe linear patterns are achieved through skilled lacquer application techniques that have been refined over generations of craftsmen in the Nambu tradition.\u003c\/p\u003e\n\u003cp\u003eThe vessel comes with its original signed wooden box (tomobako), confirming its authenticity as a work by lacquer artist Fumio.\u003c\/p\u003e\n\u003cp\u003eThis piece is suitable for ikebana flower arrangements or as a distinguished example of traditional Japanese lacquer craft, representing the enduring artistic heritage of Nambu lacquerware.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 18 cm\u003cbr\u003eWidth: 31.5 cm\u003cbr\u003eDepth: 13 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe piece shows signs of age with minor wear and surface marks consistent with vintage lacquerware.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eFumio (, ) is a lacquer artist working in the Nambu lacquer (Nambu shikko) tradition. The Nambu region has a centuries-old heritage of lacquer craft, historically supported by the Nambu domain (han) which actively promoted lacquer production. The region's abundant natural lacquer resources, particularly from the Joboji area (now part of Ninohe City in Iwate Prefecture), which produces approximately 75% of Japan's domestic lacquer, provided the foundation for a thriving lacquer industry.\u003cbr\u003eNambu lacquerware is characterized by its emphasis on quality materials and refined technique, often featuring elegant linear patterns and restrained decorative elements that highlight the natural beauty of lacquer. Artists in this tradition are trained in the complex multi-step process of lacquer application, which can involve 30 to 40 distinct procedures from preparing the base material through final finishing.\u003cbr\u003eWhile specific biographical details about Fumio are limited, the quality of this piece and the inclusion of a signed box (tomobako) indicate this is the work of a skilled craftsman trained in traditional Nambu lacquer techniques, carrying forward the region's distinguished artistic heritage.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037025214699,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_e7d37ed6-ef51-40f3-bcb8-a281c2402354.jpg?v=1783695668"},{"product_id":"yamamoto-izuru-burgundy-clay-flower-vase-sculptural-bizen-form-sold","title":"Yamamoto Izuru — Burgundy Clay Flower Vase Sculptural Bizen Form (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an exceptional Bizen ware flower vase created by Yamamoto Izuru (, 1932-2011), son of the renowned Living National Treasure Yamamoto Toshiu.\u003c\/p\u003e\n\u003cp\u003eCrafted from distinctive Burgundy clay (-), this piece showcases the unique characteristics of Bizen pottery combined with the artist's innovative approach to clay composition.\u003c\/p\u003e\n\u003cp\u003eThe vase features an organic, sculptural form that reflects Yamamoto Izuru's mastery of the Bizen tradition while pushing artistic boundaries.\u003c\/p\u003e\n\u003cp\u003eThe Burgundy clay creates a rich, warm surface texture with natural variations in color and firing effects characteristic of authentic Bizen ware.\u003c\/p\u003e\n\u003cp\u003eThe piece demonstrates the natural ash glazing and flame markings achieved through extended wood-firing in the traditional anagama kiln.\u003c\/p\u003e\n\u003cp\u003eYamamoto Izuru inherited his father's dedication to the Bizen tradition while developing his own artistic voice.\u003c\/p\u003e\n\u003cp\u003eThis flower vase exemplifies his skill in creating functional art pieces that serve as both vessels and sculptural objects.\u003c\/p\u003e\n\u003cp\u003eThe asymmetrical form and natural earth tones make it equally suitable for ikebana arrangements or as a standalone decorative object.\u003c\/p\u003e\n\u003cp\u003eThe piece comes with its original signed wooden box (tomobako) and protective cloth (tomokin), authenticating its provenance and ensuring proper preservation.\u003c\/p\u003e\n\u003cp\u003eThis is a significant work from an important second-generation Bizen potter who maintained the highest standards of his father's legacy.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 18 cm\u003cbr\u003eWidth: 25 cm\u003cbr\u003eDepth: 10 cm\u003cbr\u003eWeight: 2175 g \/ 2.18 kg\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eOverall in good condition with no significant damage or repairs. Minor signs of age and handling consistent with a genuine vintage Bizen ceramic piece. Natural surface variations and firing marks are inherent characteristics of Bizen ware and not defects.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eYamamoto Izuru (, 1932-2011) was a distinguished Bizen pottery artist and the son of Yamamoto Toshiu, who was designated as a Living National Treasure (Ningen Kokuho) in 1987. Born in Okayama Prefecture, Izuru grew up immersed in the Bizen pottery tradition and trained extensively under his father's guidance.\u003cbr\u003eWhile honoring the traditional Bizen techniques passed down through generations, Yamamoto Izuru developed his own artistic approach, experimenting with different clay compositions including the distinctive Burgundy clay. He was known for his sculptural sensibility and ability to create pieces that bridged functional pottery and fine art.\u003cbr\u003eThroughout his career, Izuru participated in numerous exhibitions and his works are held in private collections both in Japan and internationally. He continued the Yamamoto family's commitment to preserving and evolving the ancient Bizen pottery tradition until his passing in 2011.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Yamamoto Izuru","offers":[{"title":"Default Title","offer_id":49037025247467,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_1b16c0d0-fb88-4df6-9ee3-36a2333692a9.jpg?v=1783695676"},{"product_id":"kanaya-joun-bronze-brazier-with-true-form-kettle-set-sold","title":"Kanaya Joun — Bronze Brazier with True-form Kettle Set (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eKanatani Joun and Takahashi Keiten collaboration: Karudo (bronze) brazier with Shinagata-gama (true-form kettle).\u003c\/p\u003e\n\u003cp\u003eThis exceptional set represents a collaboration between two masters of metalwork - Kanatani Joun, renowned bronze brazier maker, and Takahashi Keiten, Living National Treasure designated for tea ceremony kettles.\u003c\/p\u003e\n\u003cp\u003eThe bronze brazier displays elegant proportions and refined craftsmanship characteristic of Kanatani's work.\u003c\/p\u003e\n\u003cp\u003eThe brazier features a warm patina with some natural oxidation consistent with age, adding to its authentic character.\u003c\/p\u003e\n\u003cp\u003eThe accompanying true-form kettle by Takahashi Keiten exhibits the precise casting technique and sophisticated surface treatment that earned him recognition as a Living National Treasure.\u003c\/p\u003e\n\u003cp\u003eThis set comes in its original signed wooden box with cloth wrapping.\u003c\/p\u003e\n\u003cp\u003eThe kettle has been tested and shows no water leakage, maintaining its functional integrity.\u003c\/p\u003e\n\u003cp\u003eSuch collaborations between Kanatani and Takahashi are well-documented and highly valued in tea ceremony circles, combining Kanatani's mastery of bronze brazier casting with Takahashi's expertise in kettle making.\u003c\/p\u003e\n\u003cp\u003eThis pairing represents the pinnacle of modern tea ceremony metalwork.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eOuter box: Width 37.5 cm × Height 45 cm × Depth 38.5 cm\u003cbr\u003eSigned box: Width 33 cm × Height 43 cm × Depth 34 cm (excluding cords)\u003cbr\u003eTea kettle: Mouth diameter 9.9 cm × Body diameter 20.5 cm × Height 18 cm\u003cbr\u003eBrazier: Body diameter 29.5 cm × Height 21 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eGood condition with minor surface oxidation consistent with age. The kettle has been tested and shows no water leakage. The cloth wrapping shows some soiling.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eKanatani Joun was born in 1933 in Takaoka City and became a member of the Japan Craft Association in 1958. He apprenticed under Hannya Kankei, a master bronzesmith who received commissions from the Imperial Household Agency to create replicas of Shosoin treasures. For over 40 years at Hannya Foundry, Kanatani dedicated himself to creating bronze braziers and tea ceremony utensils, mastering traditional techniques.\u003cbr\u003eKanatani specializes in crafting various styles of braziers. Beyond braziers, he creates lid rests, tea utensils sets, and flower vases. His works are renowned for their beautiful surface finishes and meticulous attention to detail. He frequently collaborated with Living National Treasure kettle maker Takahashi Keiten, and these collaborative sets are highly sought after in the market.\u003cbr\u003eTakahashi Keiten was born in 1920 in Yamagata City and inherited the family casting business in 1938, dedicating himself exclusively to tea kettle production. He achieved his first acceptance to the Nitten exhibition in 1951 and was selected seven times thereafter. His innovative forms combined with refined surface textures and patterns earned him numerous awards. In 1961, he created a presentation kettle for the Emperor, and in 1979, another for the Crown Prince. He received the Order of the Sacred Treasure, Fourth Class in 1992, and in 1996, became the first person from Yamagata Prefecture to be designated as a Living National Treasure for tea ceremony kettles. He promoted Yamagata casting nationwide through exhibitions from the 1960s onward. Takahashi passed away in June 2009 at age 89, leaving an enduring legacy in tea ceremony metalwork.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Kanaya Joun","offers":[{"title":"Default Title","offer_id":49037025280235,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_595ab162-912a-4f79-bdf4-0a2e91747364.jpg?v=1783695684"},{"product_id":"mihara-ken-shinoame-mon-flower-vase-sold","title":"Mihara Ken — Shinoame-mon Flower Vase (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA flower vase by Mihara Ken (b. 1958), built in his austere, multi-fired manner — form and colour drawn out of bare clay and repeated firings rather than any applied glaze. The quiet, geological surface is the whole point: it looks as though it was found rather than made.\u003c\/p\u003e\n\u003cp\u003eMihara's work is held by the Metropolitan Museum of Art (which has two), the Victoria \u0026amp; Albert Museum, LACMA and some forty museums worldwide, and has reached five figures at international auction.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Mihara Ken","offers":[{"title":"Default Title","offer_id":49037025476843,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_d8fdf6dc-c26f-467c-bb30-6fd42c9f3442.jpg?v=1783695692"},{"product_id":"sayaka-shingu-gaku-yo-bowl-calyx-bowl-contemporary-ceramic-masterpiece-sold","title":"Sayaka Shingu — Gaku-yo Bowl (Calyx Bowl) Contemporary Ceramic Masterpiece (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an exceptional ceramic bowl titled \"Gaku-yo Bowl\" (Calyx Bowl) by contemporary Japanese ceramic artist Sayaka Shingu (1979-). The work comes with its original signed wooden box (tomobako), protective cloth (tomonuno), and certificate booklet (shiori), guaranteeing its authenticity.\u003cbr\u003eShingu Sayaka is a distinguished ceramic artist based in Kyoto, renowned for her unique approach to ceramic art that blurs the boundaries between functional vessels and sculptural objects. After graduating from Osaka University of Arts in 2001, she completed a residency at the Shigaraki Ceramic Cultural Park in Shiga Prefecture. Her work is characterized by extraordinary attention to detail and a distinctive aesthetic that combines technical virtuosity with refined sensibility.\u003cbr\u003eThe \"Gaku-yo Bowl\" reflects her signature style, where organic forms inspired by nature meet meticulous craftsmanship. The title references the calyx - the protective outer whorl of a flower - suggesting both botanical inspiration and the vessel's embracing, protective form. This piece exemplifies her ability to create works that are simultaneously functional and deeply artistic.\u003cbr\u003eHer works have been exhibited extensively throughout Japan, including at prestigious venues such as INAX Galleria Ceramica in Tokyo, Takashimaya department stores, and numerous galleries. She has received recognition through selections at the Asahi Ceramic Art Exhibition and other significant ceramic art competitions.\u003cbr\u003eThis bowl represents an excellent opportunity to acquire a work by an established contemporary ceramic artist whose pieces are increasingly sought after by collectors both in Japan and internationally.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 9.1 cm\u003cbr\u003eWidth: 12.4 cm\u003cbr\u003eDepth: 10.9 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe bowl is in excellent condition with no noticeable scratches or damage, as indicated in the original listing.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eSayaka Shingu (born 1979 in Osaka, Japan) is a contemporary ceramic artist based in Kyoto who has established herself as one of Japan's most distinctive voices in contemporary ceramics. After graduating from Osaka University of Arts' Ceramics Department in 2001, she undertook a residency at the Shigaraki Ceramic Cultural Park in Shiga Prefecture from 2003, where she was profoundly influenced by contemporary ceramic art.\u003cbr\u003eShingu is celebrated for her unique artistic vision that combines functional pottery with sculptural sensibility. Her work often features organic forms inspired by botanical elements, executed with extraordinary technical precision and attention to detail. She is particularly known for her black ceramic sculptures depicting flowers and plant forms, though her repertoire extends to refined functional vessels like this bowl.\u003cbr\u003eHer exhibition history is extensive, including solo shows at INAX Galleria Ceramica Tokyo (2008, 2010), Gallery Maronie Kyoto, Gallery Suchi Tokyo, Gallery Utsuwakan Kyoto, and Takashimaya Nihonbashi. She has participated in numerous group exhibitions and has received recognition at prestigious competitions including the Asahi Ceramic Art Exhibition (2004, 2006), Kyoto Kogei Biennale (2008), and Paramita Ceramic Art Grand Prize Exhibition (2012).\u003cbr\u003eShingu's work is held in private collections throughout Japan and internationally, and she continues to be an active and influential figure in contemporary Japanese ceramics, known for harmonizing meticulous craftsmanship with refined aesthetic sensibility.\u003c\/p\u003e\n\u003cp\u003eNOITICE\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sayaka Shingu","offers":[{"title":"Default Title","offer_id":49037025509611,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_a7c56713-b483-445b-a2d6-e2641b525162.jpg?v=1783695700"},{"product_id":"arakawa-toyozo-nezumi-shino-tea-bowl-sold","title":"Arakawa Toyozo — Nezumi-Shino Tea Bowl (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA \u003cem\u003enezumi-shino\u003c\/em\u003e (“mouse-grey Shino”) tea bowl by Arakawa Toyozo (1894–1985), designated a \u003cstrong\u003eLiving National Treasure in 1955\u003c\/strong\u003e for Shino and Setoguro wares — among the very first ceramic artists ever so honoured.\u003c\/p\u003e\n\u003cp\u003eArakawa did something almost no one had done: he brought a lost art back to life. In 1930, digging at an old kiln site in Mino, he found a single Shino shard that proved these wares had originally been made in Mino, not Seto as long believed — rewriting the map of Japanese ceramic history. He then built his own kiln to resurrect the Momoyama-period technique, carving through an iron slip to leave the pale figures that give nezumi-shino its name.\u003c\/p\u003e\n\u003cp\u003eHis work is held by the Victoria \u0026amp; Albert Museum, among other major collections.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Arakawa Toyozo","offers":[{"title":"Default Title","offer_id":49037027639531,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_e52c238b-09e2-446e-bebb-d55a3f057915.jpg?v=1783695708"},{"product_id":"kayama-matazo-four-crows-etchings-from-the-1990s-sold","title":"Kayama Matazo — 'Four Crows', Etchings from the 1990s (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA collection of etchings, “Four Crows,” from the 1990s by Kayama Matazo (1927–2004) — one of the great Japanese-style (\u003cem\u003eNihonga\u003c\/em\u003e) painters of the postwar era, known for uniting classical Japanese decorative tradition with a modern, graphic sensibility.\u003c\/p\u003e\n\u003cp\u003eKayama's crows are a recurring, almost calligraphic motif in his work: spare black forms that carry the whole weight of the image. His paintings are held in major Japanese museum collections, and he was a professor at the Tokyo University of the Arts.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Kayama Matazo","offers":[{"title":"Default Title","offer_id":49037027737835,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_8e393dd5-c04e-4713-bf89-cf7b7ea10599.jpg?v=1783695730"},{"product_id":"ishibashi-yushi-saikokuji-carved-polychrome-porcelain-jar-sold","title":"Ishibashi Yushi — Saikokuji Carved Polychrome Porcelain Jar (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eExceptional \"Saikokuji\" (Carved Polychrome Porcelain) jar by Ishibashi Yushi (born 1957), a distinguished member of the Japan Kōgei Association.\u003c\/p\u003e\n\u003cp\u003eThis remarkable piece exemplifies the artist's innovative and unique technique that has revolutionized contemporary Japanese ceramics.\u003c\/p\u003e\n\u003cp\u003eIshibashi is renowned for pioneering the Saikokuji method, a groundbreaking technique where he uses sandblasting to carve away layers of glaze after firing, creating intricate patterns and dimensional depth.\u003c\/p\u003e\n\u003cp\u003eThis unprecedented approach earned him the Grand Prize and the Crown Prince's Cup at the 21st Japan Ceramics Exhibition, as well as the Minister of Education Award at the Japan Traditional Crafts Exhibition.\u003c\/p\u003e\n\u003cp\u003eThe jar stands 18 cm tall with a refined, organic form that showcases Ishibashi's masterful control of both throwing and surface treatment.\u003c\/p\u003e\n\u003cp\u003eThe carved patterns reveal multiple layers of colored glazes beneath, creating a rich visual complexity that shifts with changing light.\u003c\/p\u003e\n\u003cp\u003eThe surface texture demonstrates the artist's meticulous hand, with each carved line contributing to the overall harmony of the design.\u003c\/p\u003e\n\u003cp\u003eThe work comes with a tomobako (original signed wooden box), confirming its authenticity and provenance.\u003c\/p\u003e\n\u003cp\u003eAs noted in the 2011 edition of the Japanese Art Directory, Ishibashi's Saikokuji technique represents a significant contribution to contemporary ceramic art, expanding expressive possibilities while maintaining profound respect for traditional craftsmanship.\u003c\/p\u003e\n\u003cp\u003eThis piece embodies the intersection of innovation and tradition that defines Ishibashi's artistic philosophy.\u003c\/p\u003e\n\u003cp\u003eHis work has been recognized for opening new pathways for younger generations of ceramic artists in their approach to technique and materials.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 18 cm\u003cbr\u003eWidth: 16.5 cm\u003cbr\u003eDepth: 16.5 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe piece is in excellent condition with no visible damage or repairs. Minor signs of age-appropriate handling may be present.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eIshibashi Yushi was born in Tokyo in 1957. He graduated from the Tekisui Museum Ceramic Research Institute in 1981 and established his kiln in Tanba-cho, Kyoto Prefecture in 1984. Ishibashi is a regular member of the Japan Kōgei Association and has received numerous prestigious awards throughout his career.\u003cbr\u003eHis revolutionary Saikokuji technique, which involves using sandblasting to carve through layers of colored glazes after firing, has been recognized as a unique innovation in contemporary ceramics. This method allows him to create complex, dimensional patterns that are impossible to achieve through traditional means.\u003cbr\u003eMajor awards include the Grand Prize and Crown Prince's Cup at the 21st Japan Ceramics Exhibition, the Minister of Education Award at the Japan Traditional Crafts Exhibition, and the Encouragement Prize at the same exhibition. His work has been celebrated for expanding the boundaries of ceramic expression while maintaining technical excellence. In 2022, he was nominated for the Japan Ceramic Society Award for establishing the Saikokuji technique and broadening the scope of ceramic art expression.\u003cbr\u003eIshibashi's work is held in both public and private collections and continues to influence contemporary ceramic artists in Japan and internationally.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Ishibashi Yushi","offers":[{"title":"Default Title","offer_id":49037027803371,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_23d3a7cc-5acf-411e-ae3b-5501fbd13cfc.jpg?v=1783695737"},{"product_id":"yamada-kazu-shino-tea-bowl-sold","title":"Yamada Kazu — Shino Tea Bowl (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eYamada Kazu Shino tea bowl. This exceptional work demonstrates Yamada's dedication to the Momoyama ceramic tradition, shaped by his training under the legendary Kato Tokuro.\u003c\/p\u003e\n\u003cp\u003eThe bowl exhibits a commanding presence with its robust foot ring rising to a generously formed body.\u003c\/p\u003e\n\u003cp\u003eThe feldspathic glaze has developed striking crimson coloration, creating dramatic keshiki (, landscape-like effects) across the surface—a hallmark of masterfully fired Shino ware.\u003c\/p\u003e\n\u003cp\u003eThe bold, vigorous form reflects the muscular aesthetic of sixteenth-century tea ceremony wares, while the vivid red tones showcase the complex chemical reactions that occur during high-temperature reduction firing.\u003c\/p\u003e\n\u003cp\u003eThe carved signature \"Ka\" appears at the foot, authenticating this as Yamada's work.\u003c\/p\u003e\n\u003cp\u003eThis piece comes with its original signed box, cloth, and artist biography, confirming provenance and authenticity.\u003c\/p\u003e\n\u003cp\u003eYamada's approach to Shino stems directly from his master Kato Tokuro's guidance: \"Good Shino can be made with Echizen clay.\" Following this teaching, Yamada established his kiln in Echizen, where he has developed his own interpretation of Shino alongside red-glazed Oribe and blue Oribe wares.\u003c\/p\u003e\n\u003cp\u003eHis works are characterized by their substantial construction and commanding aesthetic presence, earning recognition from connoisseurs of traditional ceramic art.\u003c\/p\u003e\n\u003cp\u003eThe bowl demonstrates both technical mastery and artistic vision—the generous proportions provide comfortable handling for tea ceremony use, while the dynamic glaze effects create visual interest that rewards contemplation.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 9.2 cm\u003cbr\u003eDiameter: 13.0 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eExcellent condition with no damage. Very good preservation overall.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eYamada Kazu was born in 1954 in Tokoname, into a distinguished ceramics family. His grandfather was second-generation Yamada Jozan, his father was Yamada Kenkichi (a Nitten exhibition artist in Tokoname ware), and his uncle was third-generation Yamada Jozan, who became a Living National Treasure.\u003cbr\u003eAfter graduating from the Ceramic Arts course at the Faculty of Crafts, College of Art, at Osaka University of Arts in 1976, Yamada established his kiln at Echizen Ceramic Village and began studying under Kato Tokuro. His teacher's words—\"Good Shino can be made with Echizen clay\"—became the guiding principle for his artistic career. Following this teaching, Yamada committed himself to working in Echizen, where he has continued to produce Shino, along with red-glazed Oribe and blue Oribe wares.\u003cbr\u003eKato Tokuro was one of the towering figures of twentieth-century ceramics, renowned for his research and recreation of sixteenth-century ceramics, particularly Shino, Oribe, and Yellow Seto wares. His intensive study of ancient kiln sites and his bold, powerful interpretations of historical styles profoundly influenced modern ceramic practice. Under such a master, Yamada absorbed not only technical knowledge but also a philosophical approach to engaging with ceramic tradition.\u003cbr\u003eYamada's works are distinguished by their substantial presence and authentic engagement with historic styles. His Shino tea bowls in particular demonstrate mastery of the demanding high-temperature firing required to achieve the characteristic crimson coloration. The robust forms and bold aesthetic of his pieces appeal especially to connoisseurs who appreciate the powerful, masculine aesthetic of Momoyama-period ceramics.\u003cbr\u003eHis works have been exhibited at major department stores and prominent galleries, establishing his reputation as a significant contemporary ceramic artist working in traditional modes. He continues to refine his interpretation of Shino and Oribe traditions, maintaining a direct connection to the lineage of Momoyama ceramic art through his training under Kato Tokuro and his family heritage in Tokoname ceramics.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Yamada Kazu","offers":[{"title":"Default Title","offer_id":49037027934443,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_b3e5f660-f406-4a79-bdee-8ea4763cf924.jpg?v=1783695745"},{"product_id":"kawase-shinobu-fureiko-water-container-contemporary-interpretation-sold","title":"Kawase Shinobu — Fureiko Water Container Contemporary Interpretation (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is a distinguished water container (mizusashi) titled \"Fureiko\" by Shinobu Kawase (born 1950), one of Japan's leading contemporary celadon artists.\u003c\/p\u003e\n\u003cp\u003eStanding 20 cm tall with a width of 16 cm, this piece exemplifies Kawase's mastery of modern celadon aesthetics while incorporating earthenware elements that demonstrate his versatility beyond his renowned porcelain work.\u003c\/p\u003e\n\u003cp\u003eUnlike Kawase's celebrated blue-green celadon pieces, this work showcases his exploration of clay bodies with organic, naturalistic qualities.\u003c\/p\u003e\n\u003cp\u003eThe pale coloration and subtle surface patterns create a dreamlike, ethereal landscape, while the sculptural lid form adds an intriguing dimensional element.\u003c\/p\u003e\n\u003cp\u003eThis departure from pure celadon demonstrates Kawase's continuous artistic evolution and willingness to experiment with different ceramic expressions.\u003c\/p\u003e\n\u003cp\u003eBorn as the eldest son of second-generation Chikushun Kawase in Oiso, Kanagawa Prefecture, Shinobu began his ceramic training at age 18 under both his grandfather (first-generation Chikushun) and father.\u003c\/p\u003e\n\u003cp\u003eThe Kawase family is renowned for their research and recreation of historical ceramics, particularly blue-and-white porcelain and overglaze enamels.\u003c\/p\u003e\n\u003cp\u003eHowever, Shinobu distinguished himself by focusing on celadon, quickly gaining recognition for his exceptional quality and earning the designation \"Shinobu Celadon\" for his refined works characterized by sharp, flawless forms and serene, deep blue glazes.\u003c\/p\u003e\n\u003cp\u003eKawase's achievements include the prestigious Japan Ceramic Society Award (1981), multiple solo exhibitions including at the Kikuchi Kan Memorial Tomo Museum (2011, 2018), and participation in major exhibitions both domestically and internationally.\u003c\/p\u003e\n\u003cp\u003eHis works are collected by discerning connoisseurs and institutions who appreciate his unique interpretation of traditional celadon techniques filtered through contemporary aesthetics.\u003c\/p\u003e\n\u003cp\u003eThis piece comes with its original signed wooden box, confirming authenticity and provenance.\u003c\/p\u003e\n\u003cp\u003eIt is in excellent condition with no damage, representing a significant example of this celebrated artist's broader creative range beyond his signature celadon works.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 20 cm\u003cbr\u003eWidth: 16 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eExcellent condition with no damage.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eShinobu Kawase (born 1950) represents the third generation of a distinguished ceramic lineage and has established himself as one of Japan's preeminent contemporary celadon artists. Born in Oiso, Kanagawa Prefecture, as the eldest son of second-generation Chikushun Kawase, he entered the ceramic arts at age 18, training under both his grandfather (first-generation Chikushun) and father.\u003cbr\u003eThe Kawase family built their reputation on meticulous research and recreation of historical ceramics, particularly blue-and-white porcelain, overglaze enamels, and related techniques. While absorbing this foundation, Shinobu chose to focus his artistic vision on celadon, a technically demanding ceramic tradition requiring precise control of iron-bearing glazes and reduction firing to achieve the characteristic blue-green coloration.\u003cbr\u003eKawase's celadon work quickly distinguished itself through exceptional quality, characterized by razor-sharp forms without flaw, serene deep blue glaze tones, and refined elegance. His distinctive aesthetic earned the designation \"Shinobu Celadon\" (Shinobu Seiji), and his works have captivated collectors and connoisseurs for over five decades. In 1981, he received the Japan Ceramic Society Award, one of the field's highest honors.\u003cbr\u003eThroughout his career, Kawase has maintained a focus on solo exhibitions as his primary mode of presentation, allowing for deep exploration of his evolving aesthetic vision. Major solo exhibitions include the Kikuchi Kan Memorial Tomo Museum (2011, 2018 marking his 50 years of ceramic work). He has also participated in significant group exhibitions including \"Contemporary Japanese Crafts\" and the Tokyo National Museum of Modern Art's \"Perspectives on Contemporary Craft: Tea Ceremony\" exhibition (2010).\u003cbr\u003eWorking alongside his father, uncle (Mitsuyuki Kawase), and brother (Takeshi Kawase), the family collective \"Kochukyo\" has presented multi-generational exhibitions that showcase the continuity and evolution of their ceramic traditions. Kawase's work demonstrates how deep study of historical celadon can inform genuinely contemporary artistic expression that resonates with modern sensibilities.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Kawase Shinobu","offers":[{"title":"Default Title","offer_id":49037027999979,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_45ea135d-dbfa-4ab8-af47-286bd1f49878.jpg?v=1783695752"},{"product_id":"hayashi-shotaro-exquisite-shino-tea-bowl-sold","title":"Hayashi Shotaro — Exquisite Shino Tea Bowl (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis exquisite tea bowl is a masterpiece by Hayashi Shotaro (b. 1947), one of Japan's most celebrated contemporary Shino ware artists. Created in the traditional Shino style that originated in Mino during the Momoyama period, this piece showcases Hayashi's distinctive approach to this iconic Japanese ceramic technique.\u003cbr\u003eThe bowl features the characteristic milky-white feldspar glaze (Shino glaze) generously applied to the surface, creating a soft, tactile quality that is the hallmark of authentic Shino ware. The glaze reveals subtle variations in thickness, with areas displaying the coveted \"hi-iro\" (fire color) - warm reddish-brown tones that emerge naturally during the firing process when iron in the clay body reacts with the flame. These subtle color transitions add depth and visual interest to the piece.\u003cbr\u003eThe form exhibits Hayashi's bold and powerful approach to shaping, with a sturdy yet refined structure that sits comfortably in the hand. The clay body beneath the glaze shows the characteristic pinkish-white color of mogusa clay, a special type of iron-poor clay found in the Mino region, known for its low shrinkage and high firing resistance.\u003cbr\u003eThe surface displays the natural pinholes and crackle patterns (kannyu) typical of Shino glazing, which occur during the firing and cooling process. These subtle imperfections are not flaws but rather celebrated characteristics that give each piece its unique personality and demonstrate the interaction between clay, glaze, and fire.\u003cbr\u003eThis tea bowl comes with its original wooden box (kiri-bako), signed by the artist, which authenticates the piece and preserves its provenance. Hayashi Shotaro, designated as a holder of Important Intangible Cultural Property for Shino ware by Gifu Prefecture in 2012, has received numerous prestigious awards including all three major prizes at the Mino Ceramics Exhibition - the Mino Ceramics Grand Prize, Shoroku Prize, and Kobei Prize.\u003cbr\u003eThe bowl is in pristine condition with no chips, cracks, or repairs. The beautiful coloration throughout demonstrates the artist's mastery of kiln firing and glaze application. This piece represents not merely a recreation of historical Shino but Hayashi's continuous pursuit of new expressions while honoring traditional techniques.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 7.8 cm\u003cbr\u003eWidth: 13.0 cm\u003cbr\u003eDepth: 13.2 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eExcellent condition with no damage. The piece displays beautiful color variation throughout and shows no signs of chips, cracks, or repairs.\u003c\/p\u003e\n\u003cp\u003eArtist Profile Hayashi Shotaro (b. 1947) was born into a kiln family in Toki City, Gifu Prefecture, the heartland of Mino ceramics. Despite growing up surrounded by pottery, he initially showed little interest in ceramics and pursued a career as a salaryman after high school. However, after just eight months, he returned home and began studying under his elder brother, Kotaro.\u003cbr\u003eHis unique and powerful Shino works quickly gained recognition. In 1968, he won the top prize at the Gifu Prefectural Art Exhibition, followed by the Governor's Prize at the Asahi Ceramics Exhibition in 1971. At the prestigious Mino Ceramics Exhibition, he achieved the unprecedented feat of winning all three major prizes - the Mino Ceramics Grand Prize, Shoroku Prize, and Kobei Prize - making him the first artist in the exhibition's history to accomplish this.\u003cbr\u003eHayashi's approach to Shino is characterized by deep research into traditional Mino materials and techniques, combined with innovative applications using modern materials and fuels. The result is work featuring powerful forms, soft glaze surfaces created from his own blend of feldspars, and rich fire colors filled with the vitality of flame. He does not merely recreate Momoyama-era Shino but continuously seeks new expressions, creating Shino works brimming with creativity.\u003cbr\u003eIn 2012, Hayashi was designated as a holder of Important Intangible Cultural Property (Shino) by Gifu Prefecture, recognizing his role in preserving and advancing this important ceramic tradition. He continues to work actively, with a 77th birthday commemoration exhibition held at Mitsukoshi Nihonbashi in 2024, demonstrating his ongoing artistic vitality.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Hayashi Shotaro","offers":[{"title":"Default Title","offer_id":49037028098283,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_ff82b0c0-0402-46ad-8864-31c460be0bf5.jpg?v=1783695761"},{"product_id":"samurai-armor-with-fearsome-menpo-and-symbolic-turtle-crest-sold","title":"Samurai Armor with Fearsome Menpō and Symbolic Turtle Crest (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is a full set of Japanese samurai armor (yoroi), dating from the 14th year of the Tenpō era (1843), during the late Edo period. The armor is life-sized and comes with a complete range of original components, making it a remarkable example of the craftsmanship and martial culture of feudal Japan. Please note that without recognition from a famous appraisal organisation, we cannot certify the datation.\u003c\/p\u003e\n\u003cp\u003eThe kabuto (helmet) features a prominent maedate (crest) in the form of a turtle, a powerful symbol of longevity, strength, and resilience in Japanese culture. This finely cast turtle sits atop large gold-painted kuwagata (horns), drawing immediate visual impact. The menpō (facial guard) is made of lacquered iron and adds a fearsome expression to the set. The dō (cuirass) bears the distinct five-star kamon (family crest), likely identifying the samurai clan to which the original owner belonged.\u003c\/p\u003e\n\u003cp\u003eEach section of the armor—including the kote (armored sleeves), haidate (thigh guards), suneate (shin guards), and kusazuri (tassets)—is made from lacquered iron plates laced with traditional silk cords and reinforced textile, demonstrating a balance between mobility and protection. The craftsmanship of the plates, the threading, and the choice of materials reflect Edo-period production, emphasizing both aesthetics and functionality.\u003c\/p\u003e\n\u003cp\u003eThis armor set is accompanied by its original wooden storage box, which not only houses the armor when not on display but also bears handwritten inscriptions on the interior of the lid.\u003c\/p\u003e\n\u003cp\u003eDespite natural signs of age such as wear, fading, and rusting on metal components, the armor retains its full structure and visual impact. It is possible that some decorative parts are slightly posterior to the main structure, due to potential restoration. Whether for display, study, or collection, this set offers a rare and captivating glimpse into the warrior spirit of Edo-period Japan. Some part may be posterior.\u003c\/p\u003e\n\u003cp\u003eNote: This set does not include a display stand (yoroi-kake).\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eWidth: 80 cm Depth: 45 cm Height: 130 cm\u003c\/p\u003e\n\u003cp\u003eArtist\/Maker Profile:\u003c\/p\u003e\n\u003cp\u003eUnknown maker. The armor is unsigned but attributed to the 14th year of the Tenpō era (1843) on the armor box, during the late Edo period. The family crest and turtle maedate suggest it was originally crafted for a samurai of notable rank or status.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation. It takes about 3 weeks to receive normally. Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037028163819,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_07229c45-6cdf-4636-a4c5-1437bb650cf9.jpg?v=1783695769"},{"product_id":"shibata-akira-cloisonne-enamel-abstract-pattern-vase-with-wired-technique-sold","title":"Shibata Akira — Cloisonné Enamel Abstract Pattern Vase with Wired Technique (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eAkira Shibata (1950-2022) - Cloisonné Enamel Abstract Pattern Vase with Wired Technique, 2009\u003cbr\u003eThis elegant cloisonné enamel vase showcases the masterful technique of renowned Japanese enamel artist Akira Shibata.\u003c\/p\u003e\n\u003cp\u003eCreated in 2009, this piece exemplifies his signature \"Yusen Shippo\" (wired cloisonné enamel) technique, featuring sophisticated abstract patterns that demonstrate his exceptional skill and artistic vision.\u003c\/p\u003e\n\u003cp\u003eThe vase displays a harmonious blend of colors and flowing abstract designs, characteristic of Shibata's modern interpretation of the traditional Japanese cloisonné technique.\u003c\/p\u003e\n\u003cp\u003eThe wired technique creates defined sections that hold the vibrant enamel glazes, resulting in a striking visual effect that changes with the light.\u003c\/p\u003e\n\u003cp\u003eThis work comes with its original signed wooden box (tomobako) and certificate booklet (shiori), confirming its authenticity and provenance.\u003c\/p\u003e\n\u003cp\u003eThe piece represents an excellent example of contemporary Japanese metalwork and would be a distinguished addition to any collection of modern Japanese crafts or cloisonné enamel art.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 29.7 cm\u003cbr\u003eWidth: 10 cm\u003cbr\u003eDepth: 5 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eExcellent condition with no visible damage. The enamel surface is pristine with vibrant colors intact. The metal body shows no dents or scratches.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eAkira Shibata (1950-2022) was a distinguished Japanese cloisonné enamel artist who revitalized the traditional art of Yusen Shippo (wired cloisonné enamel) with contemporary sensibilities. Born in Japan, Shibata dedicated his career to mastering and innovating within this demanding metalwork technique. His works are characterized by their abstract modern designs combined with impeccable technical execution. Throughout his career, Shibata exhibited widely in Japan and internationally, earning recognition for his ability to bridge traditional craft techniques with modern artistic expression. His pieces are highly valued by collectors of contemporary Japanese metalwork and represent an important contribution to the evolution of Japanese enamel art in the late 20th and early 21st centuries.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Shibata Akira","offers":[{"title":"Default Title","offer_id":49037028262123,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_e3f43e9d-286f-43d9-892f-f2ba18789965.jpg?v=1783695776"},{"product_id":"kimono-iro-uchikake-sold","title":"Kimono Iro-Uchikake (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an elegant Japanese Iro-Uchikake (colored wedding outer robe), showcasing a vibrant and artistic design. The luxurious robe features a traditional combination of patterns and colors, symbolizing joy and prosperity. With its intricate details and heavy fabric, this Iro-Uchikake exemplifies the artistry and cultural heritage of Japanese wedding attire.\u003c\/p\u003e\n\u003cp\u003eIro-Uchikake are formal robes traditionally worn by brides over a kimono during wedding ceremonies. This particular piece combines timeless elegance with exceptional craftsmanship, making it a significant addition to any collection of Japanese textiles or ceremonial garments.\u003c\/p\u003e\n\u003cp\u003eLength: 184 cm Width, including sleeves: 134 cm\u003c\/p\u003e\n\u003cp\u003eWeight: 3850 g\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037028360427,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_cd156f38-5d51-4f0c-adff-859e44258260.jpg?v=1783695785"},{"product_id":"asakura-kyoko-bronze-sculpture-te-wo-kumu-onna-woman-clasping-her-hands-sold","title":"Asakura Kyoko — Bronze Sculpture 'Te wo Kumu Onna' (Woman Clasping Her Hands) (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis exceptional bronze sculpture by Asakura Kyoko (1925-2016), one of Japan's most prominent post-war figurative sculptors, exemplifies her mastery of depicting the female form with grace and vitality.\u003c\/p\u003e\n\u003cp\u003eTitled \"Te wo Kumu Onna\" (Woman Clasping Her Hands), this work presents a young woman in a dynamic pose that radiates positive energy and inner strength.\u003c\/p\u003e\n\u003cp\u003eBorn as the second daughter of the renowned sculptor Asakura Fumio, Kyoko established her own distinguished career, achieving four consecutive Special Selection Awards at the Nitten Exhibition between 1947 and 1951—an unprecedented achievement that marked her as an extraordinary talent.\u003c\/p\u003e\n\u003cp\u003eShe became the leading figure in realistic figurative sculpture with female subjects as her primary motif.\u003c\/p\u003e\n\u003cp\u003eThis particular work showcases her signature style: the beautiful proportions of a young woman captured in a moment of quiet contemplation, with hands clasped together.\u003c\/p\u003e\n\u003cp\u003eThe dynamic pose conveys a sense of movement and vitality, while the sculpture captures that distinctive quality of healthy sensuality and freshness that only a female sculptor could achieve with such nuance and understanding.\u003c\/p\u003e\n\u003cp\u003eThe work demonstrates Kyoko's ability to express inner emotions through external form—a positive spirit and confident vitality that emanates from the figure.\u003c\/p\u003e\n\u003cp\u003eThe sculpture is cast in bronze with a refined patina and is mounted on a natural stone base.\u003c\/p\u003e\n\u003cp\u003eIt bears the artist's signature in Roman letters on the lower portion.\u003c\/p\u003e\n\u003cp\u003eThe piece comes with its original fitted wooden box (tomobako), confirming its authenticity.\u003c\/p\u003e\n\u003cp\u003eThis work was acquired by a dedicated collector of Asakura Kyoko's sculpture at her solo exhibition held at Gallery Universe in Tokyo's Ginza district.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 44.5 cm (excluding stone base)\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eExcellent condition with no notable damage or deterioration.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eAsakura Kyoko (1925-2016) was one of Japan's most celebrated post-war figurative sculptors. Born as the second daughter of the legendary sculptor Asakura Fumio, she grew up immersed in artistic excellence—her elder sister Asakura Setsu was also a renowned stage designer and painter. Trained from childhood at her father's Asakura Sculpture Studio, she made her debut at the 1942 Shin Bunten exhibition and achieved remarkable success with four consecutive Special Selection Awards at the Nitten Exhibition (1947-1951), establishing her reputation as an artist of exceptional talent. In 1960, she participated in founding the avant-garde group \"Shudan Gendai Chokoku\" (Contemporary Sculpture Group), and throughout her career received numerous honors including the Nagano Outdoor Sculpture Prize (1979) and the Nakahara Teijiro Prize Excellence Award (1982). Her works, characterized by their modern, urbane sensibility and meticulous attention to the female form, can be found in public spaces throughout Japan, including major installations in Tokyo, Yokohama, and Nagoya. Her ability to capture contemporary women with both realistic detail and poetic grace made her works accessible to the general public while maintaining high artistic standards.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Asakura Kyoko","offers":[{"title":"Default Title","offer_id":49037028458731,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_b9011684-abc5-400c-be01-9b07212c0ef6.jpg?v=1783695793"},{"product_id":"hanakago-with-suspended-ring-and-dual-handles-sold","title":"Hanakago with Suspended Ring and Dual Handles (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an elegant bamboo flower basket (Hanakago) by Nish inaka Kenji, signed with the art name \"Chikusei\" .\u003c\/p\u003e\n\u003cp\u003eThe basket features a sophisticated design with dual handles and a suspended ring (Yuukan), showcasing refined Japanese bamboo craft techniques from the mid-to-late 20th century.\u003c\/p\u003e\n\u003cp\u003eThe basket demonstrates masterful weaving with tightly woven bamboo strips creating a harmonious geometric pattern.\u003c\/p\u003e\n\u003cp\u003eThe dual handles on either side are elegantly integrated into the overall structure, while the suspended metal ring adds both functionality and visual interest to the piece.\u003c\/p\u003e\n\u003cp\u003eThe piece exhibits the traditional Japanese aesthetic of wabi-sabi, with its understated elegance and natural beauty.\u003c\/p\u003e\n\u003cp\u003eThe tight, even weaving demonstrates exceptional technical skill, while the overall form balances traditional craftsmanship with timeless design sensibility.\u003c\/p\u003e\n\u003cp\u003eThis basket comes complete with its original signed wooden box (tomobako) and an inner liner, making it ready for display or use.\u003c\/p\u003e\n\u003cp\u003eThe work shows natural aging characteristics typical of vintage bamboo craft, with period wear that enhance its authentic charm without compromising its structural integrity or aesthetic appeal.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 22.5 cm\u003cbr\u003eWidth: 21 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eGood vintage condition with age-appropriate wear consistent with an authentic mid-20th century bamboo craft work.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eNishinaka Kenji (dates unknown) worked under the art name Chikusei . While specific biographical information about this artist is limited, his work demonstrates the refined techniques and aesthetic sensibilities characteristic of mid-20th century Japanese bamboo craft. The presence of a tomobako (original signed wooden box) indicates that he was a recognized craftsman of his time, following the traditional Japanese practice of providing authentication for significant works.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037028524267,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_267ec1f0-c158-44b5-a1d9-e1242b0d3d38.jpg?v=1783695802"},{"product_id":"keisuke-habe-ruins-encrusted-wabi-sabi-studio-ceramic-flower-vase-sold","title":"Keisuke Habe — \"Ruins\" – Encrusted Wabi-Sabi Studio Ceramic Flower Vase (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eKeisuke Habe(1988-)\u003cbr\u003eA compelling contemporary studio ceramic flower vessel from the \"Ruins\" series by Japanese artist Keisuke Habe. The bottle-form vase is defined by a dramatically built-up, encrusted surface in which layers of pale matte white glaze crack and flake away to reveal weathered grey clay and patches of oxidised turquoise-green beneath — the unmistakable look of an artifact unearthed from an ancient ruin. Habe achieves this distinctive aged texture through repeated firings with layered glazes; the precise points where the surface peels are left to chance in the kiln, so that each piece carries its own irreproducible record of time and decay. Formerly a spatial designer, Habe channels a long-held fascination with ruins and archaeological remains into objects that read less like pottery and more like excavated relics, evoking the patina of antique bronze. The tapered neck and full shoulders give the vessel a quiet sculptural authority, equally at home as a single-stem vase or as a standalone object of contemplation in the wabi-sabi spirit.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 13.5 cm\u003cbr\u003eWidth: 7 cm\u003cbr\u003eDepth: 7 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eExcellent condition with no notable scratches, chips, or soiling; the heavily encrusted, flaking surface is the intentional signature texture of Habe's \"Ruins\" series, not damage.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eKeisuke Habe (born 1988) is a contemporary Japanese ceramic artist known for vessels and figurative works that resemble artifacts excavated from ancient ruins. Originally working as a spatial designer, he turned to ceramics out of a long-standing fascination with ruins and archaeological sites. His signature aesthetic — a corroded, flaking, \"rusted\" surface reminiscent of aged bronze — was discovered when glaze unexpectedly peeled during firing; he now develops it deliberately through repeated firings with layered glazes, embracing the uncontrollable, chance-driven way the surface breaks away as an essential part of each work. His pieces, often given museum-label-style titles, are presented as if they were relics recovered from the past.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003cbr\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Keisuke Habe","offers":[{"title":"Default Title","offer_id":49037035634923,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_df30d594-442b-4ad7-82d2-8e53aeca2af2.jpg?v=1783696041"},{"product_id":"imai-toshimitsu-golden-leaves-hand-signed-silkscreen-46-98-sold","title":"Imai Toshimitsu — 'Golden Leaves', Hand-Signed Silkscreen (46\/98) (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA hand-signed silkscreen, numbered 46\/98, by Imai Toshimitsu (1928–2002) — the first Japanese artist to join the Art Informel movement and the key figure who carried it between Europe and Japan.\u003c\/p\u003e\n\u003cp\u003eImai moved to Paris in 1952 and, under the critic Michel Tapié, turned to gestural abstraction in thick, worked colour. In 1957 he brought Sam Francis and Georges Mathieu to Tokyo, effectively opening Japan's door to European abstraction. He exhibited at the São Paulo and Venice Biennales, was handled by Leo Castelli in New York, and was made a Chevalier de la Légion d'honneur in 1996.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Imai Toshimitsu","offers":[{"title":"Default Title","offer_id":49037035667691,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_27796c97-1518-4c3e-b72d-c0fa62ea7f61.jpg?v=1783696050"},{"product_id":"grass-pattern-flat-vase-elegant-botanical-design-sold","title":"Grass Pattern Flat Vase Elegant Botanical Design (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is a beautiful flat vase (Henko) titled \"Grass Pattern\" created by ceramic artist Takeda Yoko. The piece showcases delicate botanical motifs that gracefully adorn the vessel's flattened form, demonstrating the artist's refined aesthetic sensibility and technical mastery. The work features organic grass patterns that flow naturally across the surface, creating a harmonious composition that embodies traditional Japanese ceramic artistry with a contemporary interpretation.\u003cbr\u003eThe piece comes with a Tomobako (original signed wooden box), which authenticates the work and adds significant value to this ceramic treasure. The artist's signature and seal on the box confirm its provenance. The vessel's impressive width of 60cm makes it a substantial presence, suitable as a centerpiece or statement piece in any refined interior setting. The flat form of the vase is particularly elegant, representing a classic shape in Japanese pottery that emphasizes horizontal visual balance.\u003cbr\u003eThe decorative grass motif exhibits careful attention to detail, with each element contributing to the overall aesthetic harmony. This work represents the fusion of traditional ceramic techniques with artistic expression, making it not only a functional vessel but also a sculptural art piece that celebrates the beauty of nature through the medium of clay.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 47 cm\u003cbr\u003eWidth: 60 cm\u003cbr\u003eDepth: 30 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe piece is in very good condition with no significant damage. Some minor signs of age-appropriate wear may be present, consistent with careful handling and display.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThis item is quite large and will be shipped via Japan Post sea mail.\u003cbr\u003eSea freight delivery takes at least 3 months, so we kindly ask for your patience.\u003cbr\u003ePlease do not open a claim during this period.\u003c\/p\u003e\n\u003cp\u003eIn some countries, size or weight restrictions prevent sea mail delivery.\u003cbr\u003eIf sea shipping is not possible to your country, we may need to switch to an alternative method (at extra cost) or cancel the order.\u003c\/p\u003e\n\u003cp\u003eThe following countries currently do not accept large parcels by sea mail. Please do not bid if your shipping address is in one of these countries:\u003c\/p\u003e\n\u003cp\u003eSpain \/ USA \/ Ukraine \/ Kazakhstan \/ Kyrgyzstan \/ Croatia \/ Georgia (Géorgie) \/\u003cbr\u003eSweden \/ Tajikistan \/ Denmark (incl. Faroe Islands) \/ Germany \/\u003cbr\u003eFrance (incl. Corsica, Andorra, Mayotte) \/ Belarus (Bélarus) \/\u003cbr\u003eMalta \/ Romania \/ Russian Federation\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037035929835,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_b6b5abf2-f98b-481b-9f76-f56b14ec56a1.jpg?v=1783696057"},{"product_id":"yusen-shippo-decorative-plate-sold","title":"Yusen-Shippo Decorative Plate (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis exquisite decorative plate showcases the masterful artistry of Shibata Akira, a distinguished Japanese cloisonné artist recognized by the Japan Kogei Association.\u003c\/p\u003e\n\u003cp\u003eThe piece exemplifies the yusen-shippo (wired cloisonné) technique, where fine metal wires are meticulously arranged on the surface to create intricate compartments, subsequently filled with vibrant enamel glazes and fired to perfection.\u003c\/p\u003e\n\u003cp\u003eThe plate demonstrates Shibata's renowned expertise in innovative design and coloring, characteristic of his work that bridges traditional Japanese craftsmanship with contemporary aesthetic sensibilities.\u003c\/p\u003e\n\u003cp\u003eThe harmonious composition and sophisticated color palette reflect the artist's deep understanding of the seven treasures (shippo) - gold, silver, lapis lazuli, crystal, giant clam, amber, and agate - from which cloisonné derives its Japanese name.\u003c\/p\u003e\n\u003cp\u003eAccompanied by the original signed wooden box (tomobako) and certificate booklet (shiori), this piece represents an exceptional example of modern Japanese cloisonné artistry.\u003c\/p\u003e\n\u003cp\u003eThe work embodies the meticulous attention to detail and technical virtuosity that have established Shibata Akira as a prominent figure in contemporary Japanese traditional crafts.\u003c\/p\u003e\n\u003cp\u003eThis decorative plate offers collectors an opportunity to acquire a significant work from an artist whose pieces are featured in prestigious collections and documented in authoritative publications on Japanese crafts, including the Japan Kogei Association's handbook of traditional crafts.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 2 cm\u003cbr\u003eWidth: 37 cm\u003cbr\u003eDepth: 24.3 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe plate is in good condition with minor damage on the reverse side. Otherwise, the decorative surface and enamel work remain intact and display well.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eShibata Akira is a distinguished contemporary Japanese cloisonné artist whose work has been recognized and featured by the Japan Kogei Association, Japan's premier organization for traditional crafts. His mastery of the yusen-shippo (wired cloisonné) technique has earned him acclaim for innovative design and sophisticated use of color.\u003cbr\u003eWorking within the rich tradition of Japanese cloisonné that dates back to the Nara period (710-794), Shibata has contributed to the modern renaissance of this exacting craft. His work exemplifies the technical precision required in cloisonné artistry, where thin metal wires are carefully positioned on copper or silver bases to create intricate designs, with spaces filled with powdered glass enamels and fired at high temperatures.\u003cbr\u003eShibata's artistic vision combines respect for traditional techniques with contemporary aesthetic sensibilities, resulting in works that appeal to both connoisseurs of Japanese traditional crafts and collectors of modern decorative arts. His pieces are noted for their elegant forms and the masterful interplay of color and design that characterizes the finest examples of Japanese cloisonné work.\u003c\/p\u003e\n\u003cp\u003eNOITICE\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037036028139,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_cbca6212-0b60-4290-8826-f37a3d1d9967.jpg?v=1783696065"},{"product_id":"bamboo-flower-basket-with-handles-named-tsubo-jar-sold","title":"Bamboo Flower Basket with Handles named Tsubo (Jar) (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an elegant bamboo flower basket titled \"Tsubo\" (Jar) by Buseki Suigetsu (Second Generation), crafted by the renowned Tokyo bamboo craft workshop Midoriya .\u003c\/p\u003e\n\u003cp\u003eThe basket features masterfully woven bamboo with side handles, showcasing the refined craftsmanship that has been passed down through generations of the Buseki family since 1908.\u003c\/p\u003e\n\u003cp\u003eThe basket demonstrates exquisite weaving techniques with its tight, uniform bamboo strips creating a sophisticated texture throughout the body.\u003c\/p\u003e\n\u003cp\u003eThe graceful curved handles on either side are seamlessly integrated into the overall design, highlighting the artist's technical skill and aesthetic sensibility.\u003c\/p\u003e\n\u003cp\u003eThe warm honey-brown patina of the bamboo speaks to both the quality of the material and the careful aging process.\u003c\/p\u003e\n\u003cp\u003eMidoriya workshop was established in Tokyo's Arakawa district and has maintained its reputation for over a century.\u003c\/p\u003e\n\u003cp\u003eBuseki Suigetsu, the second generation, was designated as an Important Intangible Cultural Property holder by Arakawa City, and his work represents a significant period in modern Japanese bamboo craft history.\u003c\/p\u003e\n\u003cp\u003eHis son, Buseki Suikou (third generation, b. 1958), continues the family tradition and has exhibited internationally at institutions including the Metropolitan Museum of Art.\u003c\/p\u003e\n\u003cp\u003eThis piece comes with its original signed wooden box (tomobako) and an inner liner, making it a complete presentation-ready work.\u003c\/p\u003e\n\u003cp\u003eThe basket shows the natural aging characteristics expected of vintage bamboo craft, with period wear that adds to its authentic charm without compromising its structural integrity or display quality.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 27.5 cm\u003cbr\u003eWidth: 26.5 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eGood vintage condition with age-appropriate patina. Some signs of historical use and natural aging visible, consistent with an authentic mid-20th century bamboo craft work.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eBuseki Suigetsu (dates unknown) was the second-generation master of Midoriya , a prestigious bamboo craft workshop established in 1908. He learned the art from his father, Buseki Suishin (first generation), and was recognized by Arakawa City as an Important Intangible Cultural Property holder for his exceptional bamboo craft techniques.\u003cbr\u003eThe Buseki family has been instrumental in preserving and advancing bamboo craft traditions. Suigetsu's work bridges traditional basket-weaving techniques with modern aesthetic sensibilities, creating pieces that are both functional and sculptural. His craftsmanship has been passed down to his son, Buseki Suikou (third generation, b. 1958), who has achieved international recognition with works in major museums including the Metropolitan Museum of Art and the Victoria and Albert Museum.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037036552427,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_1fd81589-7a81-42c5-8cd2-45b79f0c55bc.jpg?v=1783696073"},{"product_id":"sugiura-yasuyoshi-decorative-ceramic-sculpture-deutzia-fruit-museum-quality-botanical-art-object-sold","title":"Sugiura Yasuyoshi — Decorative Ceramic Sculpture \"Deutzia Fruit\" Museum-Quality Botanical Art Object (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an exceptional piece from the acclaimed \"Ceramic Natural History (Tōhakubutsushi)\" series by Sugiura Yasuyoshi (, born 1949-), titled \"Deutzia Fruit (Utsugi no Mi)\".\u003c\/p\u003e\n\u003cp\u003eThis remarkable work exemplifies Sugiura's masterful ability to capture nature's intricate forms through the medium of ceramics.\u003c\/p\u003e\n\u003cp\u003eSugiura Yasuyoshi is renowned for his extraordinarily realistic ceramic sculptures that blur the boundary between art and natural science.\u003c\/p\u003e\n\u003cp\u003eHis \"Ceramic Natural History\" series represents a unique fusion of botanical accuracy and artistic expression, creating three-dimensional studies of plant forms that rival scientific illustration in their precision while maintaining profound aesthetic beauty.\u003c\/p\u003e\n\u003cp\u003eBorn in Tokyo's Katsushika ward in 1949, Sugiura graduated from Tokyo University of the Arts (Tokyo Geidai) Graduate School in 1975, specializing in ceramics.\u003c\/p\u003e\n\u003cp\u003eRather than following conventional paths in the ceramics world, he chose to work independently, developing a distinctive artistic voice that sets him apart from traditional pottery and functional ware.\u003c\/p\u003e\n\u003cp\u003eIn 1979, he made his mark with \"Stone Groups in Ceramics\" at Kaneko Art Gallery, and in 1984, he established his kiln in Manazuru, Kanagawa Prefecture, where he continues to work.\u003c\/p\u003e\n\u003cp\u003eHis innovative approach has garnered national attention, including features on NHK's \"Studio Visit - Creating\" (1990) and \"Ceramics Exploration\" (1999).\u003c\/p\u003e\n\u003cp\u003eThis particular piece, \"Deutzia Fruit,\" captures the delicate seed pods of the Deutzia (Utsugi) plant with astonishing botanical accuracy.\u003c\/p\u003e\n\u003cp\u003eThe Deutzia, a flowering shrub native to East Asia, produces distinctive capsular fruits that Sugiura has rendered in exquisite detail.\u003c\/p\u003e\n\u003cp\u003eEvery subtle texture, every organic curve, and every natural imperfection has been meticulously observed and translated into ceramic form.\u003c\/p\u003e\n\u003cp\u003eWhat distinguishes Sugiura's work is not merely technical virtuosity, but his philosophical approach to nature.\u003c\/p\u003e\n\u003cp\u003eHis pieces invite contemplation of natural forms we might otherwise overlook, transforming the ephemeral into the permanent through the ancient medium of fired clay.\u003c\/p\u003e\n\u003cp\u003eEach work in the \"Ceramic Natural History\" series functions as both sculpture and scientific specimen, challenging our perceptions of what ceramics can achieve.\u003c\/p\u003e\n\u003cp\u003eThe piece comes with its original artist-signed wooden box (matching the artist's signature), display card (tate-fuda), and protective cloth (tomogire), confirming its authenticity and provenance.\u003c\/p\u003e\n\u003cp\u003eIt remains in flawless condition - a testament to both its craftsmanship and careful preservation.\u003c\/p\u003e\n\u003cp\u003eThis work represents an important example of contemporary Japanese ceramic art that transcends traditional categories, appealing to collectors of both fine art and natural history.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 11.5 cm\u003cbr\u003eWidth: 9.5 cm\u003cbr\u003eDepth: 9.5 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eFlawless condition with no damage. The piece displays exceptional preservation of fine details.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eSugiura Yasuyoshi (born 1949) is a distinguished contemporary ceramic artist celebrated for his hyperrealistic sculptural works that document natural forms with scientific precision and artistic sensitivity.\u003cbr\u003eBorn in Katsushika, Tokyo, Sugiura pursued formal training in ceramics at Tokyo University of the Arts, completing his graduate studies in 1975. From the outset of his career, he chose to work outside the traditional craft association system, allowing him complete artistic freedom to develop his unique vision.\u003cbr\u003eArtistic Philosophy and Approach:\u003cbr\u003eSugiura's work represents a radical departure from conventional ceramic practice. Rather than creating functional vessels or traditional decorative objects, he uses clay as a medium for capturing transient moments in nature's cycles. His \"Ceramic Natural History\" series transforms botanical specimens into permanent sculptural forms, creating a dialogue between art, science, and nature.\u003cbr\u003eHis process involves meticulous observation of natural subjects, often spending extended periods studying plant structures, rock formations, and organic textures before translating them into clay. The resulting works possess an uncanny verisimilitude that can surprise viewers who initially mistake them for actual natural objects.\u003cbr\u003eSelected Career Highlights:\u003c\/p\u003e\n\u003cp\u003e1975: Graduated from Tokyo University of the Arts Graduate School (Ceramics)\u003cbr\u003e1977: Selected for Japan Ceramic Art Exhibition\u003cbr\u003e1978: Japan International Ceramics Exhibition (Daimaru)\u003cbr\u003e1979: \"Stone Groups in Ceramics\" exhibition at Kaneko Art Gallery (career-defining presentation)\u003cbr\u003e1982: Contemporary Japanese Ceramics Exhibition (Japan Foundation, toured Italy)\u003cbr\u003e1984: Established kiln in Manazuru, Kanagawa Prefecture\u003cbr\u003e\"Stone Groups in Ceramics\" at Lake Biwa Contemporary Sculpture Exhibition\u003cbr\u003e1985: 4th Henry Moore Grand Prize Exhibition\u003cbr\u003e1990: Featured on NHK's \"Studio Visit - Creating\" television program\u003cbr\u003e1994: \"Ceramic Grove\" solo exhibition at Kaneko Art Gallery\u003cbr\u003e\"Ceramic Grove: Forest Space - Organic Space\" (Aichi Prefectural Ceramic Museum)\u003cbr\u003e1995: Solo exhibition at Kando-ri, presenting colored pattern vessels\u003cbr\u003e1997: \"Sugiura Yasuyoshi: Ceramic Rocks, Ceramic Groves\" (Kirin Yokohama Beer Village)\u003cbr\u003e2000: Solo exhibition at Nihombashi Mitsukoshi, featuring objets inspired by nuts, fruits, and still life\u003cbr\u003e2005: \"Celebrating Earth's Bounty in Ceramics: Natural Breath and Form\" (Kanagawa Prefectural Hall Gallery)\u003cbr\u003e2006: \"Ceramic Botanical Garden\" (Suntory Museum of Art, Chiyoda)\u003cbr\u003e\"Wind Screen\" (Echigo-Tsumari Art Triennial)\u003cbr\u003e2007: 14th Japan Contemporary Art Promotion Award (Japan Culture and Arts Foundation)\u003cbr\u003e2009: \"Wind Fort\" (Echigo-Tsumari Art Triennial)\u003cbr\u003e2012: \"West African Sojourn\" (Kando-ri)\u003c\/p\u003e\n\u003cp\u003eArtistic Significance:\u003cbr\u003eSugiura's work occupies a unique position in contemporary Japanese ceramics. While maintaining deep respect for traditional materials and techniques, he has pioneered an entirely new vocabulary for ceramic art - one that engages with natural science, environmental awareness, and philosophical questions about permanence and transience.\u003cbr\u003eHis \"Ceramic Natural History\" series, to which this \"Deutzia Fruit\" belongs, represents perhaps his most iconic body of work. These pieces function simultaneously as:\u003c\/p\u003e\n\u003cp\u003ePrecise botanical documentation\u003cbr\u003eMeditations on natural beauty\u003cbr\u003eExplorations of ceramic's unique properties as a preservation medium\u003cbr\u003eCommentaries on humanity's relationship with the natural world\u003c\/p\u003e\n\u003cp\u003eUnlike traditional nature-inspired ceramics that stylize or interpret natural forms, Sugiura's approach emphasizes faithful representation while never losing sight of the work's identity as a handmade ceramic object. This tension between realism and artifice creates a compelling aesthetic that has influenced a generation of ceramic artists.\u003cbr\u003eHis independent stance - working outside craft guilds and art associations - has allowed him to pursue this singular vision without compromise, establishing him as one of contemporary Japan's most innovative and respected ceramic artists.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sugiura Yasuyoshi","offers":[{"title":"Default Title","offer_id":49037036617963,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_74e46eb4-96f6-49b2-88ba-9d190463a84d.jpg?v=1783696081"},{"product_id":"ishijima-akihiko-basara-bold-contemporary-incense-burner-sold","title":"Ishijima Akihiko — \"Basara\" Bold Contemporary Incense Burner (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an exceptional Basara incense burner by Ishijima Akihiko ( Ishijima Akihiko, born 1954), one of contemporary Japan's most acclaimed ceramic artists based in Mashiko.\u003c\/p\u003e\n\u003cp\u003eThe term \"Basara\" refers to an aesthetic concept from medieval Japan that celebrated flamboyant, unconventional beauty that defied traditional norms.\u003c\/p\u003e\n\u003cp\u003eIshijima's interpretation of this spirit manifests in the bold, dynamic sculptural form of this incense burner, which features dramatic angles and an assertive presence that commands attention.\u003c\/p\u003e\n\u003cp\u003eCrafted in Mashiko, a town renowned for its pottery tradition, this piece showcases Ishijima's masterful technique developed through decades of dedication to his craft.\u003c\/p\u003e\n\u003cp\u003eAfter training under Kaneta Sanzaemon in Hagi and studying at the Royal Danish Academy of Fine Arts in Copenhagen, Ishijima established his kiln in Mashiko's Oyake district in 1981.\u003c\/p\u003e\n\u003cp\u003eHis international training combined with deep respect for Japanese ceramic traditions has resulted in works that are both contemporary and timeless.\u003c\/p\u003e\n\u003cp\u003eThis incense burner exemplifies the artist's ability to create functional objects that transcend utility to become sculptural art.\u003c\/p\u003e\n\u003cp\u003eThe piece displays Ishijima's characteristic approach to form and surface, where every angle and curve serves both aesthetic and functional purposes.\u003c\/p\u003e\n\u003cp\u003eThe glaze and firing techniques create subtle variations in color and texture that reveal themselves gradually, inviting prolonged contemplation.\u003c\/p\u003e\n\u003cp\u003eIshijima's achievements include the Ministry of Education, Culture, Sports, Science and Technology Award at the 22nd Japan Ceramic Art Exhibition (2013), the Grand Prize at the 2nd Flower Vessel Biennale (1993), and the Japan Kogei Association Award at the 29th Traditional Crafts New Works Exhibition (1989).\u003c\/p\u003e\n\u003cp\u003eHis works are held in prestigious collections and continue to be exhibited at major venues including Daimaru Tokyo and Takashimaya.\u003c\/p\u003e\n\u003cp\u003eThis piece comes with its original signed box (tomobako) and explanatory leaflet (shiori), confirming its authenticity and provenance.\u003c\/p\u003e\n\u003cp\u003ePerfect for the tea ceremony or as a centerpiece in a contemporary interior, this incense burner represents an important work by an artist at the height of his creative powers.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 14.5 cm\u003cbr\u003eWidth: 13 cm\u003cbr\u003eDepth: 9 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe piece is in excellent condition with no visible damage, chips, or repairs.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eIshijima Akihiko (, born 1954) is a distinguished contemporary ceramic artist working in Mashiko, Tochigi Prefecture. Born in Tokyo, Ishijima began his ceramic training in 1974 under Kaneta Sanzaemon in Hagi, one of Japan's historic pottery centers. In 1979, he expanded his artistic horizons by studying at the Royal Danish Academy of Fine Arts and Design in Copenhagen, where he absorbed Scandinavian design principles that would later inform his unique aesthetic.\u003cbr\u003eUpon returning to Japan, Ishijima established his kiln in Oyake, Mashiko in 1981, joining the lineage of renowned potters who have made this town famous. His work bridges Eastern and Western ceramic traditions, combining the spontaneity and earthiness of Japanese folk pottery with the refined minimalism of Scandinavian design.\u003cbr\u003eThroughout his career, Ishijima has received numerous prestigious awards, including the Japan Kogei Association Award at the 29th Traditional Crafts New Works Exhibition (1989), the Grand Prize at the 2nd Flower Vessel Biennale (1993), and the Ministry of Education, Culture, Sports, Science and Technology Award at the 22nd Japan Ceramic Art Exhibition (2013). He has also received recognition at international exhibitions, including an Excellence Award at the Jingdezhen International Ceramics Expo.\u003cbr\u003eHis works have been featured in major exhibitions at venues such as Daimaru Tokyo, Takashimaya in Nihonbashi and Kyoto, and numerous solo and group shows throughout Japan. Ishijima continues to create innovative ceramic works that honor tradition while pushing the boundaries of contemporary ceramic art.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Ishijima Akihiko","offers":[{"title":"Default Title","offer_id":49037037633771,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_8ccd8d56-5e5b-4e59-8a12-5c9e900b4199.jpg?v=1783696097"},{"product_id":"motonaga-sadamasa-sakaki-bakuzan-cylindrical-vase-rare-collaboration-sold","title":"Motonaga Sadamasa × Sakaki Bakuzan — Cylindrical Vase, Rare Collaboration (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\n\u003cp\u003eA rare collaborative cylindrical vase bringing together two major figures from the Iga region of Mie: Motonaga Sadamasa (1922–2011), a core member of the \u003cem\u003eGutai\u003c\/em\u003e avant-garde, and the calligrapher Sakaki Bakuzan (1926–2010).\u003c\/p\u003e\n\u003cp\u003eMotonaga was one of Gutai's most celebrated painters, known for vivid, humorous biomorphic abstraction and for adapting the traditional \u003cem\u003etarashikomi\u003c\/em\u003e technique of pooled, flowing colour. His work is held by the National Museum of Art, Osaka, and the Museum of Modern Art in New York. Bakuzan was one of Japan's most popular calligraphers, famous for radically expressive single characters. A piece uniting the painter's colour and the calligrapher's brush is an unusual meeting of two worlds.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Motonaga Sadamasa","offers":[{"title":"Default Title","offer_id":49037037666539,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_e83f78cb-065e-4ada-bcc0-4502b9a36f30.jpg?v=1783696105"},{"product_id":"kayama-tetsuya-museum-grade-flat-vase-with-exquisite-iron-decorated-ayu-pattern-sold","title":"Kayama Tetsuya — Museum-Grade Flat Vase with Exquisite Iron-Decorated Ayu Pattern (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eA striking large-scale flat vase (henpei) by Kayama Tetsuya (1954- ), son of the celebrated Cultural Medal-awarded Nihonga master Kayama Matazo. This extraordinary piece was exhibited at the artist's solo exhibition held at Daiwa Department Store, Kanazawa in 1998 (Heisei 10), accompanied by the original exhibition pamphlet, although this particular work is not featured in the pamphlet.\u003c\/p\u003e\n\u003cp\u003eAfter graduating from Tama Art University's Nihonga (Japanese painting) department, Kayama Tetsuya studied pottery under Banura Shiro. He masterfully synthesizes techniques from Yi Dynasty Korean ceramics—particularly buncheong ware—with iron oxide (tetsu-sai) decoration and refined Nihonga painting skills, creating what critics acclaim as \"vessels that display paintings.\"\u003c\/p\u003e\n\u003cp\u003eThis monumental work demonstrates the artist's exceptional command of classical Korean techniques including sgraffito (kakiotoshi) and white slip inlay (hakudo), combined with the elegant pictorial sensibility inherited from his father. The dynamic ayu (sweetfish) motif flows across the dramatically flattened form, achieving a remarkable balance between sculptural presence, sophisticated ceramic technique, and high-aesthetic Japanese painting tradition.\u003c\/p\u003e\n\u003cp\u003eThe vessel's imposing scale and refined execution embody the quality expected of a major exhibition piece. Perfect condition with no damage. Complete with original signed wooden box (tomobako) and exhibition pamphlet.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 38 cm\u003cbr\u003eWidth: 40 cm\u003cbr\u003eDepth: 16.2 cm\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003ePerfect condition with no damage, chips, or repairs. The piece retains its original exhibition quality.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eKayama Tetsuya (1954- ) is a distinguished contemporary Japanese ceramic artist, son of the renowned Nihonga painter and Cultural Medal recipient Kayama Matazo (1927-2004). After graduating from Tama Art University's Japanese Painting department, he apprenticed under potter Banura Shiro, where he developed his distinctive style that merges Korean Yi Dynasty ceramic techniques with Japanese painting traditions.\u003cbr\u003eKayama's work is characterized by his masterful use of buncheong-inspired techniques—white slip decoration, sgraffito, and iron oxide painting—combined with the refined pictorial vocabulary inherited from his father's Nihonga practice. His vessels are celebrated as \"utsuwa that display paintings\" (e wo miseru utsuwa), bridging the boundary between functional ceramic form and fine art painting. His work has been featured in numerous solo and group exhibitions throughout Japan, earning recognition for his unique synthesis of Korean ceramic tradition and Japanese aesthetic sensibility.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Kayama Tetsuya","offers":[{"title":"Default Title","offer_id":49037037732075,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_b3062223-2c0f-4c74-9782-7888f5691553.jpg?v=1783696118"},{"product_id":"japanese-hanadai-sculpted-burl-wood-stand-with-tama-moku-grain-sold","title":"Japanese Hanadai – Sculpted Burl Wood Stand with Tama-moku Grain (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is a natural wood display stand made from a single slab of highly figured burl wood , celebrated for its intricate grain patterns and rich texture. The surface showcases mesmerizing swirling grain, known as tama-moku, with natural knots and flowing curves that highlight the unpredictable beauty only nature can create. The legs are integrated organically into the form, retaining a wild, sculptural quality while maintaining stability and elegance.\u003c\/p\u003e\n\u003cp\u003eThis piece is suitable for use as a bonsai stand, incense burner platform, flower arrangement base, or tea ceremony utensil stand. It’s also a highly decorative object on its own, conveying a sense of refined rusticity and harmony with nature. The entire stand is meticulously polished to a smooth finish, bringing out the warm luster and natural tones of the wood.\u003c\/p\u003e\n\u003cp\u003eA superb example of Japanese woodworking artistry, ideal for collectors of traditional crafts, wabi-sabi aesthetics, and tea ceremony aficionados.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eWidth: 60 cm\u003cbr\u003eDepth: 31.3 cm\u003cbr\u003eHeight: 12 cm\u003c\/p\u003e\n\u003cp\u003eWeight: 3.8 kg\u003c\/p\u003e\n\u003cp\u003eNOITICE\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037037764843,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_4a7f9ae4-a5f7-4774-9a85-5ccf40e00ecb.jpg?v=1783696126"},{"product_id":"decorative-japanese-small-chest-with-patinated-iron-mounts-sold","title":"Decorative Japanese Small Chest with Patinated Iron Mounts (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eA charming antique Japanese ko-tansu ( \/ small chest), crafted in solid wood with original iron fittings. This traditional jidai-tansu dates from the late Edo to early Meiji period, showcasing the refined balance of functionality and decorative appeal characteristic of Japanese cabinetry.\u003c\/p\u003e\n\u003cp\u003eThe chest features a practical arrangement of multiple drawers and a small locking compartment. The iron hardware is elaborately shaped with floral and cloud motifs, retaining a rich dark patina that enhances the warm tone of the aged lacquered wood. The drawers open smoothly and the compartment door retains its working original key, a rare detail that adds to the authenticity and collector’s value of the piece.\u003c\/p\u003e\n\u003cp\u003eThe exterior bears a naturally distressed surface with areas of wear, reflecting long decades of careful use, which contributes to its wabi-sabi charm. The side handles allow for mobility, while the compact size makes this chest ideal for modern interiors, serving as a decorative storage cabinet, display piece, or functional furniture.\u003c\/p\u003e\n\u003cp\u003eSize \u0026amp; Weight\u003c\/p\u003e\n\u003cp\u003eHeight: 51 cm\u003cbr\u003eWidth: 53 cm\u003cbr\u003eDepth: 34.5 cm\u003cbr\u003eWeight: 9100 g\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThis item is quite large and will be shipped via Japan Post sea mail.\u003cbr\u003eSea freight delivery takes at least 3 months, so we kindly ask for your patience.\u003cbr\u003ePlease do not open a claim during this period.\u003c\/p\u003e\n\u003cp\u003eIn some countries, size or weight restrictions prevent sea mail delivery.\u003cbr\u003eIf sea shipping is not possible to your country, we may need to switch to an alternative method (at extra cost) or cancel the order.\u003c\/p\u003e\n\u003cp\u003eThe following countries currently do not accept large parcels by sea mail. Please do not bid if your shipping address is in one of these countries:\u003c\/p\u003e\n\u003cp\u003eSpain \/ USA \/ Ukraine \/ Kazakhstan \/ Kyrgyzstan \/ Croatia \/ Georgia (Géorgie) \/\u003cbr\u003eSweden \/ Tajikistan \/ Denmark (incl. Faroe Islands) \/ Germany \/\u003cbr\u003eFrance (incl. Corsica, Andorra, Mayotte) \/ Belarus (Bélarus) \/\u003cbr\u003eMalta \/ Romania \/ Russian Federation\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and charges are not included in the item price or shipping cost. These fees are the buyer’s responsibility.\u003c\/p\u003e\n\u003cp\u003eYour local customs or delivery service may contact you via phone or email for clearance procedures.\u003cbr\u003ePlease ensure you can respond. If unanswered, the parcel may be returned, and re-shipping will cost more than double.\u003c\/p\u003e\n\u003cp\u003eThank you very much for your understanding and cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037037830379,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_a1255366-e10b-4b20-9d3b-c7787d74e6b0.jpg?v=1783696133"},{"product_id":"remarkable-full-set-of-samurai-armor-with-dragon-maedate-and-brocade-accents-sold","title":"Remarkable Full Set of Samurai Armor with Dragon Maedate and Brocade Accents (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003ePresented here is a remarkable full set of Japanese samurai armor (yoroi), crafted during the Taishō period (early 20th century), in the traditional style of earlier eras. This life-sized suit, measuring approximately 135 cm in height, is a meticulously assembled example of period-authentic design and detail, complete with distinctive elements that reflect the enduring warrior culture of Japan.\u003c\/p\u003e\n\u003cp\u003eThe kabuto (helmet) is of the Akoda-nari (melon-shaped) style, featuring a jūniken hoshi kabuto (twelve-plate helmet) construction, reinforced with riveted boss-like protrusions (hoshi) and adorned with a dragon-themed maedate (helmet crest)—a powerful symbol of strength, wisdom, and martial prowess. At its center is a finely detailed circular gilt ornament, giving the piece a commanding presence.\u003c\/p\u003e\n\u003cp\u003eThe menpō (faceplate) is forged in iron, finished in black lacquer, and fitted with a realistic hair mustache for dramatic expression. The dō (cuirass) is composed of iron horizontal lamellae and showcases smooth lacquerwork. The kusazuri (tassets), haidate (thigh guards), and suneate (shin guards) are all matched in style and color, with rich brocade fabric underlays decorated with traditional motifs.\u003c\/p\u003e\n\u003cp\u003eThe kote (sleeves) exhibit a refined integration of lacquered iron splints over an ornate textile base, interwoven with mail (kusari), showcasing the craftsmanship of the period. Inside the armor fabric, an inscription reads “ ” (Satsuma-jū Kōnin saku), indicating that it was made by the craftsman Kōnin of Satsuma—a region historically renowned for its skilled armorers and warrior tradition.\u003c\/p\u003e\n\u003cp\u003eThough created in the Taishō period, the armor strictly follows the aesthetics and construction methods of the Edo period, making it ideal for collectors seeking authenticity combined with comparatively better preservation. There are minor signs of age and use, such as fraying and surface wear, but overall, the piece remains in good display condition and is structurally sound.\u003c\/p\u003e\n\u003cp\u003eA captivating and rare find for collectors, martial historians, or institutions interested in the legacy of Japan’s samurai class.\u003cbr\u003eNote: Yoroi-kake (display stand) is not included.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eHeight: 135 cm\u003c\/p\u003e\n\u003cp\u003eArtist\/Maker Profile:\u003c\/p\u003e\n\u003cp\u003eCrafted by (Kōnin), a Taishō-period armorer based in Satsuma (modern-day Kagoshima). The inscription on the armor confirms the maker and regional origin. The Satsuma domain was known for producing high-quality armor well into the modern era, maintaining traditional methods and motifs.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037038518507,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_1ba085ea-0ae2-4e74-a815-6bcd7eb66875.jpg?v=1783696147"},{"product_id":"the-finest-chinkin-wajima-lacquer-writing-box-fumibako-sold","title":"The finest Chinkin Wajima Lacquer writing box (Fumibako) (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an exquisite Wajima-nuri (Wajima lacquerware) writing box (Fumibako) crafted by the esteemed lacquer artist Yasushi Demura, produced by the long-established workshop Gotoya in Wajima City, Ishikawa Prefecture. The box features a delicate floral motif executed with Chinkin (gold-inlay engraving), a traditional decorative technique characteristic of Wajima lacquerware, renowned for its refined elegance and meticulous craftsmanship. The deep black lacquer surface is complemented by vibrant blue flowers and gold-lined leaves, reflecting a harmonious balance of color and texture. This piece has been preserved unused for a long period and includes its original tomobako (wooden storage box), adding to its value as a collector’s item.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eHeight: 6.2 cm\u003cbr\u003eWidth: 20.5 cm\u003cbr\u003eLength: 28 cm\u003c\/p\u003e\n\u003cp\u003eWeight: 709 g\u003c\/p\u003e\n\u003cp\u003eArtist Profile:\u003c\/p\u003e\n\u003cp\u003eYasushi Demura is a respected lacquer artist specializing in Wajima-nuri, having trained under the esteemed Nishimura Kunihiro. His works embody traditional Wajima techniques while incorporating a sophisticated aesthetic, particularly through the use of Chinkin, showcasing exceptional skill and attention to detail.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037038649579,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_70d2eed3-fc11-470c-910e-f514a4135ef1.jpg?v=1783696155"},{"product_id":"fine-japanese-tansu-chest-ko-tansu-small-cabinet-sold","title":"Fine Japanese Tansu Chest – Ko-Tansu Small Cabinet (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eA fine Japanese antique chest (Ko-Tansu \/ Choba-dansu ), dating from the late Edo to Meiji period.\u003c\/p\u003e\n\u003cp\u003eThis compact merchant’s chest is richly adorned with wrought iron hardware (jidai kanagu ) including lock plates, hinges, decorative corner fittings, and a removable locking bar (kan’nuki ). These elements provided both security and an elegant aesthetic, typical of chests used by merchants to store documents, valuables, and money.\u003c\/p\u003e\n\u003cp\u003eThe structure consists of:\u003c\/p\u003e\n\u003cp\u003e3 drawers on the left side\u003cbr\u003e1 small drawer at the upper right\u003cbr\u003e1 hinged door on the right with 2 interior drawers inside\u003cbr\u003e1 wide bottom drawer\u003c\/p\u003e\n\u003cp\u003eThe chest comes complete with two original keys: one for the locking bar and drawers, and another for the small door lock.\u003c\/p\u003e\n\u003cp\u003eMade of natural wood (keyaki or sugi) with a warm reddish-brown finish, and fitted with robust iron handles, this tansu showcases traditional Japanese craftsmanship. Compact and versatile, it is ideal for use as a decorative antique storage or as a functional accent piece in modern interiors.\u003c\/p\u003e\n\u003cp\u003eSize and Weight:\u003c\/p\u003e\n\u003cp\u003eHeight: 56.5 cm\u003cbr\u003eWidth: 60 cm\u003cbr\u003eDepth: 31 cm\u003cbr\u003eWeight: 11,450 g\u003c\/p\u003e\n\u003cp\u003eNOTICE:\u003c\/p\u003e\n\u003cp\u003eThis item is large and will be shipped via Japan Post surface (sea) mail.\u003cbr\u003eDelivery takes at least 3 months, so please be patient and do not open a claim during this period.\u003c\/p\u003e\n\u003cp\u003ePlease note: Surface mail is not available for the following countries:\u003cbr\u003eSpain \/ USA \/ Ukraine \/ Kazakhstan \/ Kyrgyzstan \/ Croatia \/ Georgia (Géorgie) \/\u003cbr\u003eSweden \/ Tajikistan \/ Denmark (incl. Faroe Islands) \/ Germany \/\u003cbr\u003eFrance (incl. Corsica, Andorra, Mayotte) \/ Belarus (Bélarus) \/\u003cbr\u003eMalta \/ Romania \/ Russian Federation.\u003c\/p\u003e\n\u003cp\u003eIf your shipping address is in one of these countries, we must use an alternative method (extra cost) or cancel the order.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and charges are not included and are the buyer’s responsibility.\u003cbr\u003eYour local customs or delivery service may contact you via phone or email for clearance procedures.\u003cbr\u003ePlease ensure you can respond. If unanswered, the parcel may be returned, and re-shipping will cost more than double.\u003cbr\u003eThank you very much for your understanding and cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037038747883,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_c1d21712-18cb-40e5-940a-12ecce6832be.jpg?v=1783696163"},{"product_id":"kimono-sold","title":"Kimono (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis beautiful kimono is a \"Homongi\" , a type of traditional Japanese garment worn for formal visits and special occasions. The kimono features intricate designs that seamlessly wrap around the entire garment, showcasing exquisite craftsmanship and attention to detail. The patterns typically include elements inspired by nature, such as flowers, trees, and landscapes, often rendered in vibrant colors and delicate embroidery. This specific Homongi is a testament to the elegance and cultural heritage of Japan, making it a perfect addition to any collection or a stunning piece to wear at formal events.\u003c\/p\u003e\n\u003cp\u003eGradation-dyed Fabric with Fans and Floral Motifs, Highlighted with Gold Detailing\u003c\/p\u003e\n\u003cp\u003eLength: 159 cm Width, including sleeves: 130 cm Weight: 1093 g\u003c\/p\u003e\n\u003cp\u003eNOTICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037039272171,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_c8567036-9b7b-41e5-80e6-94409336001f.jpg?v=1783696172"},{"product_id":"enshu-onihide-demon-face-tiles-the-face-of-a-demon-that-looks-as-if-it-has-been-given-a-soul-sold","title":"Enshū Onihide — Demon face tiles: the face of a demon that looks as if it has been given a soul (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003e:\u003c\/p\u003e\n\u003cp\u003eThis is a masterfully crafted Japanese \"Onimen-gawara\" , a demon-faced roof tile traditionally used to guard temples, shrines, and homes from evil spirits. Weighing 5.6kg, this powerful piece was created by the acclaimed Enshū Onihide , a celebrated tile master recognized as a \"Contemporary Master Craftsman\" and recipient of the prestigious Medal with Yellow Ribbon .\u003c\/p\u003e\n\u003cp\u003eEvery detail, from the fierce horns and curling eyebrows to the intricately carved mustache, exudes such precision and vitality that it feels as though the piece is imbued with a spirit of its own. This combination of imposing presence and delicate craftsmanship exemplifies the pinnacle of Japan’s onigawara tradition, making it both a protective talisman and an exceptional collectible work of art. The piece includes its original wooden storage box (tomobako) signed and sealed by the artist, ensuring authenticity.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eWidth: 33 cm\u003cbr\u003eDepth: 14.5 cm\u003cbr\u003eHeight: 28 cm\u003cbr\u003eWeight: 5.6 kg\u003c\/p\u003e\n\u003cp\u003eArtist Profile:\u003c\/p\u003e\n\u003cp\u003eEnshū Onihide (, born in Shōwa 9 [1934] in Hamamatsu) is one of Japan’s foremost onigawara craftsmen . He began his apprenticeship under the third-generation Onihide from 1949 to 1955 and honed his skills as a roof tile artisan at Enshū Ceramics Co. between 1955 and 1962. From 1962 to 1968, he trained intensively in onigawara production under his master, ultimately becoming a leading figure in the craft.\u003c\/p\u003e\n\u003cp\u003eOnihide has dedicated his career not only to creating traditional demon-faced tiles but also to passing on the craft, serving as a teacher in local schools and cultural centers. He has served as a director and later vice-chairman of the Japan Onishi Association , advisor to the Enshū Onigawara Research Society, and instructor for workshops on traditional craftsmanship.\u003c\/p\u003e\n\u003cp\u003eHis many accolades include:\u003c\/p\u003e\n\u003cp\u003eJIA (Japan Institute of Architects) Shizuoka Chairman Award (1993)\u003c\/p\u003e\n\u003cp\u003eDesignated as a Shizuoka Prefecture Traditional Craft Artisan (1995)\u003c\/p\u003e\n\u003cp\u003eShizuoka Prefectural Industrial Promotion Governor’s Award (2000)\u003c\/p\u003e\n\u003cp\u003eRecognized as a \"Contemporary Master Craftsman\" by the Minister of Health, Labour and Welfare (2001)\u003c\/p\u003e\n\u003cp\u003eAwarded the Medal with Yellow Ribbon in 2002\u003c\/p\u003e\n\u003cp\u003eSilver Prize at the Hamana Lake Garden Expo (2004)\u003c\/p\u003e\n\u003cp\u003eHis works are featured in exhibitions such as the Shizuoka Verkehr Museum (1997) and continue to be sought after by collectors and architectural preservationists.\u003c\/p\u003e\n\u003cp\u003eNOITICE\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Enshū Onihide","offers":[{"title":"Default Title","offer_id":49037039304939,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_b4b87361-be06-41db-beb8-84d574f68a74.jpg?v=1783696179"},{"product_id":"wake-shiro-snow-mask-a-striking-ghostly-noh-mask-sold","title":"Wake Shiro — \"Snow Mask\" A striking, ghostly Noh mask (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eTitled \"Yuki no Ko-omote (Snow Mask)\" , this evocative watercolor painting by the late master Shiro Wake depicts a ghostly Noh mask emerging from a wash of cool, layered colors. The face, likely representing a Ko-omote mask—a symbol of youthful femininity in Noh theater—is rendered with soft, translucent tones of blue, white, and violet. This composition creates an ethereal, poetic ambiance, blurring the line between presence and absence, realism and illusion. Signed and sealed by the artist, the piece is affixed with a gallery authentication label (-) on the reverse and presented in a textured, gold-hued frame that enhances its spiritual and mysterious character.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eArtwork: 24 × 27 cm\u003cbr\u003eFrame: 38.5 × 57.5 cm\u003c\/p\u003e\n\u003cp\u003eMaterial:\u003c\/p\u003e\n\u003cp\u003eWatercolor on paper – This piece is executed in watercolor on traditional paper, as suggested by the painting's texture, technique, and the use of absorbent paper suited for layered washes and subtle tonality.\u003c\/p\u003e\n\u003cp\u003eArtist Profile:\u003c\/p\u003e\n\u003cp\u003eShiro Wake (, 1925–1988) was born in Tochigi Prefecture and studied oil painting under Sotaro Yasui at the Tokyo University of the Arts. A member of the Dokuritsu Bijutsu Kyokai (Independent Art Association), he won the Dokuritsu Prize in both 1957 and 1958 and was admitted as a full member in 1959. Deeply affected by the war and personal illness, Wake’s works are steeped in themes of impermanence and spiritual depth. His meeting with Noh theater profoundly influenced his art, leading to a series of fantastical and haunting paintings of Noh masks and moss-covered temples. Blending realism with mysticism, Wake created a unique painterly language characterized by delicate melancholia and psychological depth.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Wake Shiro","offers":[{"title":"Default Title","offer_id":49037039337707,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_e8a34d6a-bcce-44ff-83ad-df5db5604c0f.jpg?v=1783696188"},{"product_id":"traditional-japanese-sword-hanger-with-intricate-openwork-carvings-sold","title":"traditional Japanese sword hanger with intricate openwork carvings (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eA traditional Japanese wooden sword stand (katanakake) crafted with intricate openwork carving, dating to the late Taishō period or early Shōwa period (pre-war, circa 1920–1940s). This five-sword stand features elegant cut-out designs of birds in flight over flowing water, flanked by stylized cloud motifs. At the center is a gilt floral crest within a hexagonal frame, adding a refined decorative touch. The warm, natural wood tones and visible patina speak to its age and authenticity, making it both a functional display and a collectible piece for Japanese sword enthusiasts. The stand shows some wear consistent with age, contributing to its antique character.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eHeight: 38 cm\u003cbr\u003eWidth: 35 cm\u003cbr\u003eDepth: 17 cm\u003c\/p\u003e\n\u003cp\u003eWeight: 511 g\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThis item is quite large and will be shipped via Japan Post sea mail.\u003cbr\u003eSea freight delivery takes at least 3 months, so we kindly ask for your patience.\u003cbr\u003ePlease do not open a claim during this period.\u003c\/p\u003e\n\u003cp\u003eIn some countries, size or weight restrictions prevent sea mail delivery.\u003cbr\u003eIf sea shipping is not possible to your country, we may need to switch to an alternative method (at extra cost) or cancel the order.\u003c\/p\u003e\n\u003cp\u003eThe following countries currently do not accept large parcels by sea mail. Please do not bid if your shipping address is in one of these countries:\u003c\/p\u003e\n\u003cp\u003eSpain \/ USA \/ Ukraine \/ Kazakhstan \/ Kyrgyzstan \/ Croatia \/ Georgia (Géorgie) \/\u003cbr\u003eSweden \/ Tajikistan \/ Denmark (incl. Faroe Islands) \/ Germany \/\u003cbr\u003eFrance (incl. Corsica, Andorra, Mayotte) \/ Belarus (Bélarus) \/\u003cbr\u003eMalta \/ Romania \/ Russian Federation\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and charges are not included in the item price or shipping cost. These fees are the buyer’s responsibility.\u003c\/p\u003e\n\u003cp\u003eYour local customs or delivery service may contact you via phone or email for clearance procedures.\u003cbr\u003ePlease ensure you can respond. If unanswered, the parcel may be returned, and re-shipping will cost more than double.\u003c\/p\u003e\n\u003cp\u003eThank you very much for your understanding and cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037039403243,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_d0536dbb-6f5f-4002-8163-574c09c79a3f.jpg?v=1783696196"},{"product_id":"katana-tamahagane-marked-echizen-no-kami-fujiwara-sold","title":"Katana Tamahagane Marked Echizen-no-Kami Fujiwara (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eItem Description:\u003c\/p\u003e\n\u003cp\u003eThis is a Japanese Wakizashi crafted by the swordsmith Echizen-no-Kami Fujiwara Yoshikado . The blade exhibits a well-defined hamon (, temper line), characteristic of traditional Japanese swordsmithing techniques. The sword comes in shirasaya (, plain wooden mount), which is commonly used for safe storage and preservation of the blade.\u003c\/p\u003e\n\u003cp\u003eThe Wakizashi, a shorter companion sword to the katana, was historically carried by samurai and often used for close combat or as a backup weapon. This piece includes a brass habaki (, blade collar) and is accompanied by an official Japanese sword registration certificate issued in Hiroshima Prefecture.\u003c\/p\u003e\n\u003cp\u003eThis authentic piece is an excellent addition for Japanese sword collectors, martial arts practitioners, or historical weapon enthusiasts.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eTotal Length: 67.6 cm\u003cbr\u003eBlade Length (Nagasa): 54.5 cm\u003cbr\u003eMoto-haba (Width at Base): 3.1 cm\u003cbr\u003eMoto-gasane (Thickness at Base): 0.7 cm\u003cbr\u003eCondition: scratches\u003c\/p\u003e\n\u003cp\u003eArtist Profile:\u003c\/p\u003e\n\u003cp\u003eEchizen-no-Kami Fujiwara Yoshikado was a swordsmith active during the Edo period, particularly known for producing durable and well-balanced blades. Swords signed with Echizen-no-Kami typically originate from the Echizen province (modern-day Fukui Prefecture), a well-respected sword-making region in Japan.\u003c\/p\u003e\n\u003cp\u003eEchizen-no-Kami Fujiwara Yoshikado – Swordsmith Profile\u003cbr\u003eThe works of Echizen-no-Kami Fujiwara Yoshikado were primarily crafted during the mid-Edo period, specifically from the mid to late 17th century (Shōō to Enpō era: 1652–1681). He served as an official swordsmith of the Mito Domain under Tokugawa Mitsukuni, one of the most influential daimyō of his time.\u003c\/p\u003e\n\u003cp\u003eBackground \u0026amp; Training\u003cbr\u003eBirthplace: Seki, Mino Province (modern-day Seki City, Gifu Prefecture)\u003cbr\u003eSchool: Zentei-ha, one of the Seven Schools of Seki\u003cbr\u003eHonorary Title: Echizen-no-Kami\u003cbr\u003eStyle: Primarily suguha (straight temper line) with a nie-based structure, featuring finely forged jigane (steel grain)\u003c\/p\u003e\n\u003cp\u003eCareer Highlights\u003cbr\u003eTrained in Seki as a disciple of the Zentei Kaneyoshi school for 19 years\u003cbr\u003eMoved to Edo with his younger brother, Musashi-no-Kami Yoshikado (also known as Bokuden)\u003cbr\u003eDuring the Enpō era (1673–1681), he was officially appointed as a swordsmith for Tokugawa Mitsukuni of the Mito Domain, receiving seven koku of stipend\u003cbr\u003eAlso known by the honorary title \"Bandō Tarō Nyūdō Bokuden\"\u003c\/p\u003e\n\u003cp\u003eReputation \u0026amp; Legacy\u003cbr\u003eRecognized as a Jō-saku (high-ranking swordsmith) in the Shintō swordsmith rankings\u003cbr\u003eDesignated as Wazamono (superior sharpness) for his excellent cutting performance\u003cbr\u003eHis existing works range from wakizashi to katana, typically between 54 cm and 72 cm in blade length\u003cbr\u003eAlongside his brother, Musashi-no-Kami Yoshikado (Bokuden), he was regarded as one of the two greatest swordsmiths of Mito\u003cbr\u003eToday, his works are highly valued, with pieces found in museums and auctioned for several million yen\u003c\/p\u003e\n\u003cp\u003eSignature Characteristics of His Blades\u003cbr\u003eJigane (Steel Grain): Finely forged ko-itame hada (small wood grain pattern)\u003cbr\u003eHamon (Temper Line): Suguha-based (straight) with nie and small ashi (legs)\u003cbr\u003eBōshi (Tip Tempering): Rounded return\u003cbr\u003eNakago (Tang): Most commonly signed \"Echizen-no-Kami Fujiwara Yoshikado\"\u003c\/p\u003e\n\u003cp\u003eHis craftsmanship, historical significance, and association with Tokugawa Mitsukuni make his swords highly regarded among collectors and historians.\u003c\/p\u003e\n\u003cp\u003eNOITICE\u003c\/p\u003e\n\u003cp\u003eSince swords cannot be shipped by air, they will be sent via Japan Post's sea mail. After the auction, we will first obtain an export permit from the Agency for Cultural Affairs, which takes about one month. Following that, the sea shipment will take approximately three months.\u003c\/p\u003e\n\u003cp\u003eTherefore, it will take at least four months from the time of auction to the arrival of the item. Please also be aware that international circumstances, shipping conditions, and customs procedures may cause further delays.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037039730923,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_ec7461ae-72c3-4eed-8efe-a59ab30a8a51.jpg?v=1783696205"},{"product_id":"amida-buddha-raigo-style-wooden-statue-with-gold-gilding-halo-sold","title":"Amida Buddha (Raigō Style) – Wooden Statue with Gold Gilding \u0026 Halo (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is an exquisite Japanese Buddhist statue from the Meiji period, finely carved in wood and finished with gold leaf . The sculpture depicts Amida Nyorai (Amitabha Buddha) standing on a richly detailed lotus pedestal , with his right hand raised in the gesture of reassurance (semui-in) and his left hand extended in the gesture of welcome (yogan-in), classic to the Raigō posture.\u003c\/p\u003e\n\u003cp\u003eThe Amida figure features a calm, meditative expression and finely detailed robe folds, with remnants of original gold gilding showing age-appropriate wear. The head is adorned with indigo-blue pigment, a typical stylistic trait of Meiji-period Buddhist sculpture. Behind the figure is an elaborate radiant halo (kōhai \/ ) constructed with radial metal lines and a circular mandorla at the center, symbolizing enlightenment.\u003c\/p\u003e\n\u003cp\u003eThe lotus pedestal is multi-tiered, carved with intricate designs including wave and floral motifs. The back of the base shows signs of historical repairs and dark lacquer retouching, further adding to its historical value. Acquired from a temple, this is a genuine religious artifact and a superb example of Meiji-period Buddhist artistry.\u003c\/p\u003e\n\u003cp\u003eSize:\u003c\/p\u003e\n\u003cp\u003eTotal height: 54 cm\u003cbr\u003eBuddha figure: Width 9 cm × Height 27 cm × Depth 7 cm\u003cbr\u003ePedestal: Width 17 cm × Height 18 cm × Depth 16 cm\u003c\/p\u003e\n\u003cp\u003eArtist Profile:\u003c\/p\u003e\n\u003cp\u003eAnonymous temple carving from the Meiji period (1868–1912). Not signed.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037039861995,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_fb00283a-a9ff-4e4d-a74e-2fa2b7619395.jpg?v=1783696212"},{"product_id":"elegant-japanese-lacquered-document-box-cat-in-gold-maki-e-lacquer-wood-sold","title":"Elegant Japanese Lacquered Document Box – Cat in Gold Maki-e Lacquer, Wood (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is a finely detailed Japanese lacquerware box (, \"fubako\") featuring a stunning depiction of a Fluffy cat rendered in exquisite detail. The work is attributed to a Japanese lacquer artist, with a signature present in gold near the cat's feet. The expressive eyes and intricate fur strokes are accomplished using a delicate maki-e technique, showcasing the refined skills of the artisan.\u003c\/p\u003e\n\u003cp\u003eThe lid of the box presents a charming yet mysterious Persian cat, rendered with soft yellow and white tones contrasted against the deep black lacquer background. The surface reflects light subtly, emphasizing the intricate texture of the fur and eyes. This piece likely serves both functional and decorative purposes, making it a desirable collector's item or elegant interior accent.\u003c\/p\u003e\n\u003cp\u003eThis box comes with its original wooden tomobako , inscribed with the title and authentication calligraphy, ensuring the authenticity and care in storage. The box appears to be well-preserved and retains a high-gloss finish that highlights the skillful lacquer work.\u003c\/p\u003e\n\u003cp\u003eSize and Weight:\u003c\/p\u003e\n\u003cp\u003eHeight: 6.5 cm Width: 22 cm Length: 29 cm\u003c\/p\u003e\n\u003cp\u003eWeight: 708 g\u003c\/p\u003e\n\u003cp\u003eWooden box dimensions:\u003c\/p\u003e\n\u003cp\u003eHeight: 10 cm Width: 24 cm Length: 31.5 cm\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation. It takes about 3 weeks to receive normally. Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037039960299,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_e31da1c3-e8a1-461a-8bad-7ed212bc0e59.jpg?v=1783696220"},{"product_id":"fine-black-lacquer-natsume-with-gold-ivy-maki-e-tea-ceremony-caddy-sold","title":"Fine Black Lacquer Natsume with Gold Ivy Maki-e — Tea Ceremony Caddy (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eThis is a fine Japanese lacquerware tea caddy (natsume) decorated with an tsuta (ivy) maki-e design, made by the lacquer artist Hosai, and accompanied by its original wooden storage box (tomobako).\u003c\/p\u003e\n\u003cp\u003eThe natsume is the quintessential vessel for storing powdered tea (matcha) used in the Japanese tea ceremony (chado), and this example displays the refined elegance expected of a quality tea utensil.\u003c\/p\u003e\n\u003cp\u003eThe body is finished in rich black lacquer (kuro-urushi), upon which graceful trailing ivy vines are rendered in delicate gold maki-e — the technique of drawing patterns in lacquer and dusting with gold powder before drying, a hallmark of Japanese decorative lacquerwork.\u003c\/p\u003e\n\u003cp\u003eThe ivy motif (tsuta) is a classical and auspicious design in Japanese art, symbolizing vitality, longevity, and the passage of time.\u003c\/p\u003e\n\u003cp\u003eThe piece is compact and well-proportioned, with a snugly fitting lid.\u003c\/p\u003e\n\u003cp\u003eAn elegant and functional work of traditional Japanese lacquer craft, suitable for display or active use in the tea ceremony.\u003c\/p\u003e\n\u003cp\u003eSize\u003cbr\u003eHeight: 6 cm\u003cbr\u003eWidth: 6.5 cm\u003cbr\u003eDepth: 6 cm\u003cbr\u003eWeight: 50 g (including lid)\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eThe piece is in very good overall condition with no notable damage to the body; the outer wooden box shows some wear and corner damage consistent with age.\u003c\/p\u003e\n\u003cp\u003eArtist Profile\u003cbr\u003eHosai is a Japanese lacquer artist (shitsugeika) working in the tradition of maki-e lacquerware. Maki-e is one of Japan's most celebrated decorative lacquer techniques, in which designs are drawn in lacquer and dusted with gold or silver powder before drying, creating luminous patterns of exceptional refinement. This tradition has been cultivated in Japan since the Heian period and remains one of the defining art forms of Japanese craft culture. Tea ceremony utensils such as the natsume represent one of the most prestigious applications of the maki-e craft, demanding both technical mastery and a deep understanding of the aesthetic sensibilities of the tea ceremony.\u003c\/p\u003e\n\u003cp\u003eNOITICE:\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037040255211,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_f70414a3-0491-4611-9f39-46e99068d9b9.jpg?v=1783696229"},{"product_id":"antique-inkstone-box-suzuribako-with-painting-of-old-japanese-scenery-stunning-gold-maki-e-gold-plated-lacquer-sold","title":"Antique Inkstone Box 'suzuribako' with painting of old Japanese scenery, stunning Gold Maki-e Gold-plated, Lacquer (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eAntique Inkstone Box 'Suzuribako' with painting of old Japan scenery, Gold Maki-e the Japanese method of gold plated. This antique Inkstone box (Suzuri-bako) from the Edo period is a striking example of Japan's lauded craftsmanship. Collectable one.\u003c\/p\u003e\n\u003cp\u003eThe main decorative element is a stunning gold Maki-e design depicting old Japanese scenery, mountains, pine trees, cherry blossoms, river, houses. The pine tree is symbol of a sacred tree in which God dwells and the whole scenery represent the elegance of the Edo period\u003c\/p\u003e\n\u003cp\u003eThe box features a unique \"Nashiji\" lacquer outside, named after its resemblance to the skin of a pear. This lacquer is meticulously layered with a mix of sand and silver particles, creating a textured surface with a lustrous sheen.\u003c\/p\u003e\n\u003cp\u003eThe technique of gold Maki-e involves fixing gold powder or foil onto lacquer to create intricate designs. This lavish art form, with its vibrant colors and rich texture, lends an unmistakable air of opulence to the piece.\u003c\/p\u003e\n\u003cp\u003eThis inkstone box also features abundant use of Taka Maki-e, a technique that adds thickness to the Maki-e itself in order to create a three-dimensional effect. Taka Maki-e requires significantly more skill and effort compared to regular Maki-e, as it aims to enhance the sense of depth and dimension in the design.\u003c\/p\u003e\n\u003cp\u003eDespite some age-related wear, scuff marks, and cracks, the inkstone box retains its luxurious beauty. Please refer to the images for details.\u003c\/p\u003e\n\u003cp\u003eThis exquisite piece of art is an embodiment of cultural heritage, promising to bring both functionality and grandeur to your calligraphy endeavors.\u003c\/p\u003e\n\u003cp\u003eNOTICE\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent with registered post.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the percel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate for your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037040353515,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_f3b55b81-7848-46ab-9b2c-4d66431dabd7.jpg?v=1783696236"},{"product_id":"natsume-gold-plated-lacquered-wood-shuho-tea-container-for-japanese-tea-ceremony-called-natsume-with-painting-of-flowers-gold-maki-e-sold","title":"Natsume Gold-plated, Lacquered wood Shuho Tea container for Japanese tea ceremony called ' Natsume' with painting of flowers, Gold Maki-e (Sold)","description":"\u003cp\u003e\u003cstrong\u003eThis piece has found its home.\u003c\/strong\u003e It is kept here as a record of what has passed through our hands.\u003c\/p\u003e\u003cp\u003eTea container made by \" Shuho,\" for Japanese tea ceremony called ' Natsume' with painting of Japanese four season's flowers, Gold Maki-e the Japanese method of gold plated. This is a striking example of Japan's lauded craftsmanship. Collectable one.\u003c\/p\u003e\n\u003cp\u003eThe main decorative element is a stunning gold Maki-e design depicting flowers. The box features a unique \"Nashiji\" lacquer on the bottom, named after its resemblance to the skin of a pear. This lacquer is meticulously layered with a mix of sand and silver particles, creating a textured surface with a lustrous sheen.\u003c\/p\u003e\n\u003cp\u003eThe technique of gold Maki-e involves fixing gold powder or foil onto lacquer to create intricate designs. This lavish art form, with its vibrant colors and rich texture, lends an unmistakable air of opulence to the piece.\u003c\/p\u003e\n\u003cp\u003eGood condition.\u003c\/p\u003e\n\u003cp\u003eNOTICE\u003c\/p\u003e\n\u003cp\u003eThe lot will be carefully packaged and sent with registered post.\u003cbr\u003eIt takes about 3 weeks to receive normally.\u003cbr\u003eImport duties, taxes, and charges are not included in the item price or shipping cost.\u003cbr\u003eThese charges are the buyer's responsibility.\u003c\/p\u003e\n\u003cp\u003eSometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the percel will return to me and it cost more double shipping fee for reshipping.\u003c\/p\u003e\n\u003cp\u003eI appreciate for your cooperation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSold — no longer available.\u003c\/em\u003e\u003c\/p\u003e","brand":"Sumo Fujiyama","offers":[{"title":"Default Title","offer_id":49037040419051,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/4757\/3995\/files\/01_jpg_4075d0e4-b7ac-4b09-b9eb-30746c7c4587.jpg?v=1783696244"}],"url":"https:\/\/sumo-fujiyama.com\/collections\/sold-archive.oembed","provider":"Sumo Fujiyama","version":"1.0","type":"link"}